In his particular vocal strengths, Towers is in fact closer to Senesino than any other countertenor I know. Senesino was famed for his muscle, dark timbre and jaw-dropping control of breath, line and messa di voce; his music is therefore optimal for Towers, who shares these gifts...his distinctive artistry makes Handelian Pyrotechnics a gracious contribution to any collection of aria classics.

Quick music comes across more convincingly, such as the polished liveliness of ‘Al lampo dell’armi’. Nevertheless, the chamber ensemble play with lyricism and a fine sense of style.