Handel - Dove sei, amato bene? (from Rodelinda)
Genres:
Opera » Opera Arias
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Arrestingly, uncompromisingly thrilling...while the coloratura thrills here are predictably spectacular, it’s the other elements – the new-found care and weight of the slower arias, the range... — More…
Awards:
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Presto Editor's Choice, January 2018
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Gramophone Magazine, March 2018, Editor's Choice
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Opera, May 2018, Recording of the Month
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Presto Recordings of the Year, Winner 2018
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Russell Oberlin - Handel Arias
RecommendedRussell Oberlin (countertenor) & Albert Fuller (harpsichord)
Baroque Chamber Orchestra, Thomas Dunn
Awards:
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Penguin Guide, Rosette
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Ombra mai fú
RecommendedAirs, Overtures & Concerti
Andreas Scholl (counter-tenor)
Berlin Akademie for Alte Musik
Scholl at his inimitable best: superbly accomplished and fully inside each character in turn. — More…
Awards:
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Penguin Guide, Rosette
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…Andreas Scholl… has developed the confidence and showmanship of a seasoned dramatic artist. Scholl's collaboration with Accademia Bizantina is proving to be a fruitful one which has breathed... — More…
Awards:
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BBC Music Magazine, September 2005, Opera Choice
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Gramophone Magazine, Awards Issue 2005, Editor's Choice
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Special offer. Handel: Arias
Christophe Dumaux (countertenor), Festspiel Orchester Göttingen, Laurence Cummings
The muscular athleticism of his singing on this long-overdue debut solo album comes across just as strongly without his compelling stage-presence: the moustache-twirling virtuosity of villains... — More…
Awards:
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Presto Editor's Choice, March 2020
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Scholl's voice rushes through the bloodstream — More…
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Great Operatic Arias 7 - Della Jones
Sung in English
Della Jones (mezzo-soprano), Andrew Shore (Taddeo), Anne Mason (Adalgisa), Mary Plazas (Jemmy), Anne Mason (Hedwige), Peter Wedd (Lindoro), Simon Bailey (Mustafa)
London Philharmonic Orchestra, David Parry
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Arias for Senesino
Digital version with bonus track
Andreas Scholl (countertenor)
Accademia Bizantina, Ottavio Dantone
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Handel - Enemies in Love
Natalia Kawalek (soprano), Jakub Jozef Orlinski (counter-tenor)
Il Giardino d’Amore, Stefan Plewniak
He begins with Tamerlano’s neurotic “A dispetto”, a furious bravura showstopper that he dispatches with aplomb, flaunting venomous “chest” notes. This voice is one of spellbinding beauty...His... — More…
