Nimbus

The Abbey’s generously disposed Andreas Silbermann organ of 1709 is the perfect match for this repertory, being brimful with all the historically appropriate tonal colours as specified in the... — Gramophone Magazine, February 2024 More…

... it's a splendid album, superbly played and recorded. — Billboard Magazine More…

As usual, Nimbus’s aural perspective puts quite a lot of air around Jones’s piano, which is highly effective in this case where the emphasis is on atmosphere rather than brilliance. Warmly recommended. — Gramophone Magazine, June 2023 More…

Feltsman approaches all the music with huge affection...The readings are mostly unfussy, though he occasionally allows himself endearing, almost exaggerated tempo modifications at turning points.... — BBC Music Magazine, February 2024, 4 out of 5 stars (Performance) / 3 out of 5 stars (Recording) More…

Sawyers’s thrilling orchestral music truly captivates, aided and abetted by pitch-perfect soloists Alexander Sitkovetsky (violin) and Simon Desbruslais (trumpet) and the ESO. — BBC Music Magazine, January 2019, 4 out of 5 stars More…

[Grand Rapids] stands up as a remarkable achievement for a student composer of barely 21. There's some Shostakovich in there too, and, like his models, Sawyer's discourse is well paced and logical,... — Gramophone Magazine, January 2011 More…

Philip Sawyers’s Third Symphony (2015) is undoubtedly one of the finest British symphonies of recent years…The performance is terrific, and terrifically committed, superbly marshalled by Kenneth... — Gramophone Magazine, October 2017 More…

Martin Jones is a superb advocate for this rich kaleidoscope. His playing is delightfully exuberant and he is able to reach both the thunderous heights of power demanded by the Tchaikovsky concerto... — BBC Music Magazine More…