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Jussi Björling Vol.2

with Hjördis Schymberg

Jussi Björling

the surface is smooth, the instruments are no longer sour, the voice takes its place naturally. Nimbus have some splendid, little-known, song songs, Sibelius's Black roses and Sigh, sedges,...

Jussi Björling Vol.2

with Hjördis Schymberg

Jussi Björling

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This release includes a digital booklet

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the surface is smooth, the instruments are no longer sour, the voice takes its place naturally. Nimbus have some splendid, little-known, song songs, Sibelius's Black roses and Sigh, sedges,...

About

"... the surface is smooth, the instruments are no longer sour, the voice takes its place naturally. Nimbus have some splendid, little-known, song songs, Sibelius's Black roses and Sigh, sedges, sigh being particularly expressive. There is also a good note by Nigel Douglas who remarks "he always sounds to me most marvellously himself, as if some paper-thin layer of inhibition has been removed" when singing in Swedish: which is another point (and a good one) in favour of the Nimbus ..."

John B. Steane, Gramophone

Contents and tracklist

No. 1, Svarta rosor (Recorded 1940)
Track length2:19
No. 4, Säv, säv, susa (Recorded 1940)
Track length2:26
Recondita armonia (Recorded 1936)
Track length2:56
E lucevan le stelle (Recorded 1937)
Track length3:03
É il sol dell' anima (Recorded 1941)
Track length3:34
La donna è mobile (Recorded 1936)
Track length2:19

Awards and reviews

the surface is smooth, the instruments are no longer sour, the voice takes its place naturally. Nimbus have some splendid, little-known, song songs, Sibelius's Black roses and Sigh, sedges, sigh being particularly expressive. There is also a good note by Nigel Douglas who remarks "he always sounds to me most marvellously himself, as if some paper-thin layer of inhibition has been removed" when singing in Swedish: which is another point (and a good one) in favour of the Nimbus …
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