Choral, Vivaldi (composer)
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Vivaldi: Le Quattro Stagioni (The Four Seasons)
Théotime Langlois de Swarte (violin), Julie Roset (soprano), Le Consort
Above all, it’s Swarte’s solo playing (on a 1733 fiddle by Carlo Bergonzi) that steals the show: pliant, expressive, wild and virtuosic. Particularly admirable is his elastic, almost jazzy flexibility... —
Awards:
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BBC Music Magazine, February 2025, Recording of the Month
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International Classical Music Awards, 2026, Nominated - Baroque Instrumental
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BBC Music Magazine Awards, 2026, Shortlisted - Concerto
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Special offer. Pergolesi: Stabat Mater & Vivaldi: Nisi Dominus
Shira Patchornik (soprano), Maarten Engeltjes (counter-tenor), Prjct Amsterdam
All in all a very moving and engaging performance from one of the newest and slickest ensembles on the scene. —
Awards:
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Gramophone Magazine, April 2024, Editor's Choice
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International Classical Music Awards, 2025, Nominated - Baroque Vocal
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The Sound of the Trumpet
RecommendedPeter Hurford (organ), Alan Stringer (trumpet), Gwynne Howell (bass), John Wilbraham (trumpet), Philip Jones (trumpet), Leslie Pearson (organ), The Michael Laird Brass Ensemble, Academy of St Martin in the Fields, Philip Jones Brass Ensemble, London Festival Orchestra, Sir Neville Marriner, Elgar...
Awards:
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Penguin Guide, Rosette
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Vivaldi: Sacro Furore - Stabat Mater, Nisi Dominus, Concerti
Carlo Vistoli (counter-tenor), Akademie Für Alte Musik Berlin, Georg Kallweit
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Awards:
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Gramophone Magazine, January 2025, Recording of the Month
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International Classical Music Awards, 2026, Nominated - Baroque Vocal
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Vivaldi: The Great Venetian Mass
Les Arts Florissants (early music ensemble), Paul Agnew (tenor), Sophie Karthäuser (soprano), Lucile Richardot (mezzo-soprano), Renata Pokupić (mezzo-soprano)
The whole is expressively shaped by Paul Agnew, whose supple moulding of the musical lines and vivid contrasts of tempos serve, above all, to highlight the words...In sum, a creative idea that... —
Awards:
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Record Review, 25th June 2022, Record of the Week
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BBC Music Magazine, September 2022, Choral & Song Choice
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An often feisty recital of operatically-influenced 17th and 18th century sacred music intercut with instrumental items by Dantone’s firebrand ensemble. —
Awards:
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Gramophone Awards, 2018, Winner - Recital
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Special offer. Invocazioni Mariane
RecommendedAndreas Scholl (countertenor), Accademia Bizantina, Alessandro Tampieri
The only relatively familiar piece is Vivaldi’s Stabat mater...In the other pieces, Scholl sings with a grave beauty, with impeccable intonation and no changes of gear. —
Awards:
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Presto Recordings of the Year, Finalists 2024
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International Classical Music Awards, 2025, Nominated - Baroque Vocal
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Nei Giardini d'Amore: Baroque Arias For Two Alti
RecommendedCarlo Vistoli, Hugh Cutting (countertenors), Les Arts Florissants, William Christie
Carlo Vistoli brings both pathos and rage to Medea's vehement outpourings...Equally compelling is Hugh Cutting's interpretation of Vivaldi's Cessate, omai cessate. His youthful countertenor... —
Awards:
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BBC Music Magazine, September 2025, Vocal Choice
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Presto Recordings of the Year, Finalist 2025
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Special offer. Händel Goes Wild
(jewel-case)
Valer Sabadus (countertenor), Nuria Rial (soprano)
L’Arpeggiata, Christina Pluhar
Whether or not you like this kind of project, this one is expertly and beautifully done, with Handel’s lyrical greatness remaining plain for all to see. —
Awards:
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Opus Klassik Awards, 2018, Winner - Ensemble (instrumental)
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Vivaldi: Gloria in D major, RV589, etc.
RecommendedSarah Fox, Deborah Norman, Michael Chance, James Gilchrist, Jonathan Lemalu
Academy of Ancient Music, Choir of King's College Cambridge, Stephen Cleobury
Awards:
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Building a Library, December 2018, Also Recommended
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