Browse: DVD Video, Mozart (composer)
Mozart: Le nozze di Figaro, K492
Recommended
Erwin Schrott (Figaro), Miah Persson (Susanna), Gerald Finley (Count), Dorothea Röschmann (Countess), Rinat Shaham (Cherubino), Graciela Araya (Marcellina), Jonathan Veira (Bartolo), Philip Langridge (Basilio)
Royal Opera House, Antonio Pappano (conductor) & David McVicar (stage director)
…so accomplished a cast, in which Gerald Finley's Count, Miah Persson's Susanna and Rinat Shaham's Cherubino stand out as ideal. — More…
Awards:
Mozart: Piano Concerto No. 23 & Rachmaninov: Piano Concerto No. 3
Recommended
Grigory Sokolov (piano)
Mahler Chamber Orchestra, BBC Philharmonic Orchestra, Trevor Pinnock, Yan Pascal Tortelier
Sokolov is now on a don't-touch-me pinnacle...the two concertos here present the zenith of his art. An ideal partnership with the Mahler Chamber Orchestra under Trevor Pinnock's direction performing... — More…
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CD + DVD Video
$18.00
In stock
New, Richter Plays Mozart Concertos
Sviatoslav Richter (piano)
French National Radio Orchestra, Shinsei Nihon Symphony Orchestra, Moscow State Symphony Orchestra, Lorin Maazel, Rudolf Barshai, Kyril Kondrashin
Mozart: Don Giovanni, K527
Recommended
Gerald Finley (Don Giovanni), Luca Pisaroni (Leporello), Kate Royal (Donna Elvira), Anna Samuil (Donna Anna), William Burden (Ottavio), Anna Virovlansky (Zerlina), Guido Loconsolo (Masetto)
The Orchestra of the Age of Enlightenment & Glyndebourne Chorus, Vladimir Jurowski, Jonathan Kent
this Don, played by Gerald Finley, is a master of self-control: hands in tailored pockets and operating with a steely indifference to all...And Finley give this vision vocal assurance matching... — More…
Awards:
Mozart: Lucio Silla, K135
Kurt Streit (Silla), Patricia Petibon (Giunia), Silvia Tro Santafé (Cecilio), Inga Kalna (Cinna), María José Moreno (Celia), Kenneth Tarver (Aufidio)
Orchestra and Chorus of the Teatro Real de Madrid, Ivor Bolton, Claus Guth
Streit is good at acting the tyrant, a blend of arbitrary power and remorse…but under pressure his tone things out. Silvia Tro Santafé is a dependable Cecilio. But the vocal laurels, and the... — More…
Awards:
Mozart: Le nozze di Figaro, K492
Gerald Finley (Figaro), Alison Hagley (Susanna), Andreas Schmidt (Count), Renée Fleming (Countess), Marie-Ange Todorovitch (Cherubino)
Glyndebourne Festival Opera & London Philharmonic Orchestra, Bernard Haitink (conductor) & Stephen Medcalf (director)
Gerald Finley and Alison Hagley are well-matched as the servant couple and Renee Fleming's creamy Countess is a joy. — More…
Awards:
Mozart: Mitridate, rè di Ponto, K87
Michael Spyres (Mitridate), Patricia Petibon (Aspasia), Myrtò Papatanasiu (Sifare), Christophe Dumaux (Farnace), Sabine Devieilhe (Ismène), Cyrille Dubois (Marzio) & Jaël Azzaretti (Arbate)
Le Concert d’Astrée, Emmanuelle Haïm
This is a really good cast. Patricia Petibon’s daunting but brilliant first aria as Aspasia, ‘Al destin’, is sung with panache and nonchalant control. Michael Spyres negotiates the great vocal... — More…
Awards:
Mozart: Così fan tutte, K588
Miah Persson (Fiordiligi), Anke Vondung (Dorabella), Ainhoa Garmendia (Despina), Topi Lehtipuu (Ferrando), Luca Pisaroni (Guglielmo), Nicolas Rivenq (Don Alfonso)
Orchestra of the Age of Enlightenment & The Glyndebourne Chorus, Ivan Fischer
When I saw this production at Glyndebourne last May, I thought that it was one of the three perfect operatic performances that I have ever been to. That view is only strengthened by seeing this... — More…
Awards:
Mozart & Schumann: Fantaisies
Piotr Anderszewski (piano)
His reflective, probing approach plumbs the depths of every piece — More…
Awards:
CD + DVD Video
$14.00
In stock
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Mozart: La finta giardiniera, K196
Carlo Allemano (Don Anchise, Podestà), Erin Morley (Sandrina/Violante), Enea Scala (Comte Belfiore), Marie-Adeline Henry (Arminda), Marie-Claude Chappuis (Ramiro), Maria V. Savastano (Serpetta) & Nikolay Borchev (Roberto (Nardo))
Le Concert d'Astrée, Emmanuelle Haïm, David Lescot
Lescot mercifully refrains from 'clever' gags…The characters, all clad in contemporary white costumes, and their chaotic relationships are clearly drawn...All the cast seem natural stage animals... — More…