US TARIFFS UPDATE | August 2025 | No impact expected on your Presto orders | Read full details
Mozart - Lucio Silla, K135
-
Mozart: Lucio Silla, K135
Kurt Streit (Silla), Patricia Petibon (Giunia), Silvia Tro Santafé (Cecilio), Inga Kalna (Cinna), María José Moreno (Celia), Kenneth Tarver (Aufidio)
Orchestra and Chorus of the Teatro Real de Madrid, Ivor Bolton, Claus Guth
Streit is good at acting tyrant, a blend of arbitrary power and remorse…but under pressure his tone things out. Silvia Tro Santafé is a dependable Cecilio. But the vocal laurels, and the principal... —
Awards:
-
Gramophone Magazine, August 2018, DVD/Blu-ray of the Month
-
BBC Music Magazine, October 2018, Opera Choice
-
-
Mozart: Lucio Silla, K135
Kurt Streit (Silla), Patricia Petibon (Giunia), Silvia Tro Santafé (Cecilio), Inga Kalna (Cinna), María José Moreno (Celia), Kenneth Tarver (Aufidio)
Orchestra and Chorus of the Teatro Real de Madrid, Ivor Bolton, Claus Guth
Streit is good at acting the tyrant, a blend of arbitrary power and remorse…but under pressure his tone things out. Silvia Tro Santafé is a dependable Cecilio. But the vocal laurels, and the... —
Awards:
-
Gramophone Magazine, August 2018, DVD/Blu-ray of the Month
-
BBC Music Magazine, October 2018, Opera Choice
-
-
Mozart: Lucio Silla, K135
Henriette Bonde-Hansen (soprano), Susanne Elmark (soprano), Kristina Hammarström (mezzo soprano), Jakob Næslund Madsen (tenor), Simone Nold (soprano), Lothar Odinius (tenor) & Richard Lewis (harpsichord)
Danish Radio Sinfonietta & Ars Nova Copenhagen, Adam Fischer
The Milan premiere of Lucio Silla, on Boxing Day 1772, was a near-fiasco: ham acting from the last-minute tenor and the prima donna in a sulk. But from the second performance Mozart's second... —
Awards:
-
Gramophone Magazine, Awards Issue 2008, Editor's Choice
-
-
Mozart: Lucio Silla, K135
Roberto Saccà (Lucio Silla), Annick Massis (Giunia), Monica Bacelli (Cecilio), Veronica Cangemi (Cinna), Julia Kleiter (Celia), Stefano Ferrari (Aufidio)
Orchestra and Chorus of Teatro La Fenice di Venezia, Tomás Netopil
-
Special offer. Mozart: Lucio Silla
Franco Fagioli (Cecilio), Olga Pudova (Giunia), Alessandro Liberatore (Lucio Silla), Chiara Skerath (Lucio Cinna), Ilse Eerens (Celia), Le Jeune Chœur de Paris, Insula orchestra, Laurence Equilbey
There are certainly strengths in Equilbey’s team – especially in Chiara Skerath’s lucid Cinna and Alessandro Liberatore’s trenchant Silla. The other members of the cast are less consistent,... —
-
Bavouzet’s performances are given with ‘beaded bubbles winking at the brim’ – Keats’ wonderfully apt metaphor – and he is ideally partnered by Takács-Nagy. The concertos are complemented by... —
-
Mozart: Lucio Silla, K135
Peter Schreier (Lucio Silla), Arleen Augér (Giunia), Julia Varady (Cecilio), Helen Donath (Celia), Edith Mathis (Cinna), Werner Krenn (Aufidio)
Mozarteum-Orchester Salzburg, Salzburger Rundfunk- und Mozarteumchor, Leopold Hager
Purchase product
Downloads
Audio formats guide -
Mozart: Lucio Silla, K135
Peter Schreier (Lucio Silla), Arleen Augér (Giunia), Edith Mathis (Cinna), Julia Varady (Cecilio), Helen Donath (Celia)
Mozarteumorchester Salzburg, Salzburger Rundfunk- und Mozarteumchor, Leopold Hager
Leopold Hager ... paces the arias admirably and draws clean, euphonious playing from the Mozarteum Orchestra. … The cast could scarcely be bettered, as the presence of singers like Helen Donath... —
Purchase product
Downloads
Audio formats guide -
Mozart - Operas II
Edita Gruberova (Sandrina), Dawn Upshaw (Serpetta), Monica Bacelli (Ramiro), Uwe Heilmann (Belfiore), Anton Scharinger (Nardo), Thomas Moser (Podesta), Charlotte Margiano (Arminda), J Patrick Raftery (Lucio Silla), Melanie Walz (Giunia), Kristina Hammarström (Cecilio), Sophie Marin-Degor (Celia),...
Purchase product
Downloads
Audio formats guide -
Special offer. Mozart: Lucio Silla, K135
Kresimir Spicer (Lucio Silla), Lenneke Ruiten (Giunia), Marianne Crebassa (Cecilio), Inga Kalna (Lucio Cinna), Giulia Semenzato (Celia)
Teatro alla Scala, Marc Minkowski
Here’s a director who makes no apology for the work…[Pynkoski] creates his own aesthetic of artful, flowing theatricality, which is underlined effectively by Antoine Fontaine’s designs…Špicer... —
