Byrd - Quomodo cantabimus
Genres:
Choral » Anthems & Motets
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Unsurprisingly, refinement abounds, though sometimes at the expense of ‘bite’. — More…
Awards:
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Presto Editor's Choice, January 2019
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The New York Times, Recordings of the Year 2019
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International Classical Music Awards, 2020, Nominee - Early Music
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Upheld by Stillness
RecommendedRenaissance gems and their reflections - Volume 1: Byrd
ORA, Suzi Digby (artistic director and conductor)
ORA is made up of some of the UK’s finest consort singers, sitting to my ears somewhere between The Sixteen and Tenebrae…The melancholy severity of Byrd’s original is beautifully measured, ORA... — More…
Awards:
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Presto Recording of the Week, 12th February 2016
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Christophers’s juxtapositions are always rewarding, and The Sixteen is on ravishing form. There’s an unmannered generosity to the singing whose wide-eyed freshness enables Christophers to keep... — More…
Awards:
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BBC Music Magazine, May 2023, Choral & Song Choice
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The ‘reconstitution’ of Tallis Libera nos as a brief choral work is very effective and the inclusion of the rich music of the 17th-century recusant Peerson is a welcome revelation… The singing... — More…
Awards:
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Gramophone Awards, 2014, Shortlisted - Early Music
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The Word Unspoken
Sacred Music by William Byrd & Philippe de Monte
Gallicantus, Gabriel Crouch (director)
The ensemble's view of this repertory, though hardly new, is delivered with such intelligence and rhetorical persuasiveness that the cumulative weight of their Byrd, in particular, is well-nigh... — More…
Awards:
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Gramophone Magazine, October 2012, Editor's Choice
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The subtle hues of the choir, an elite corps from Winchester Cathedrals, are particularly impressive in Byrd's Lamentation, a piece in which voicing gives the music its momentum. Yet the beauty... — More…
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a focused, sparkling performance — More…
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Special offer. The Caged Byrd
Music for voices, viols & harpsichord, from a time of persecution
Sophie Yates (harpsichord)
I Fagiolini, Concordia
