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Special offer. Fischer-Dieskau Lieder A-Z: Schubert
Dietrich Fischer-Dieskau (baritone), Gerald Moore (piano), Jörg Demus (piano), Unknown (piano), Daniel Barenboim (piano), Alfred Brendel (piano), Sviatoslav Richter (piano), Dame Janet Baker (mezzo-sopranovocalist), Elly Ameling (soprano), Peter Schreier (tenor), Horst Laubenthal (tenor)
RIAS...
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Schubert Lieder Volume 2: An Mein Herz
Matthias Goerne (baritone), Eric Schneider (piano) and Helmut Deutsch (piano)
Goerne… and Schneider offer grave and solemn performances of Goethe's Mignon and Harper songs, before ending on a higher note, celebrating the eternal joy of love in 'Willkommen and Abschied'. — More…
Awards:
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Gramophone Magazine, December 2008, Editor's Choice
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Special offer. Schubert: Stimme der Liebe (The Voice of Love')
Ian Partridge (tenor), Jennifer Partridge, Ernest Lush
Both singer and pianist refined the art of simplicity...A more subtle virtue is the Partridges’ sensitivity to Schubert’s art of the unexpected. — More…
Awards:
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Gramophone Magazine, August 2023, Reissue/Archive Issue of the Month
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…Watt's youthful, radiant delivery, with no flaws in technique that I can hear, fits many of the Lieder like a glove. — More…
Awards:
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Gramophone Magazine, February 2009, Editor's Choice
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Special offer. Schwarzkopf sings Schubert Lieder
Elisabeth Schwarzkopf (soprano) & Edwin Fischer (piano), Gerald Moore (piano)
Philharmonia Orchestra, Herbert von Karajan
These studio sessions don’t really compare well with recordings of Schwarzkopf's live recitals - the voice can, at times, sound tired and over-studied - but there's a magnificent 'Abscheulicher!'... — More…
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Special offer. Volume 13 - Goethe Volume 2
Christian Elsner (tenor), Ruth Ziesak (soprano), Ulrich Eisenlohr (piano)
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Special offer. Elisabeth Schumann - Schubert Lieder (1927-1945)
Elisabeth Schumann (soprano) & George Reeves (piano)
In songs of a youthful, spring-like, artless nature, she was, and remains in some respects, supreme. There is an outgoing spontaneity, a pearly tone and absence of sophistication that appeal... — More…
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Although uncomfortably challenged in the upper reaches of ‘Du bist die Ruh’, and momentarily effortful elsewhere, Schäfer’s lyric tenor is an ideal instrument for Schubert, marrying textual... — More…
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