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Tchaikovsky - Valse sentimentale, Op. 51 No. 6
Genres:
Instrumental » Piano Solos
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Tchaikovsky - None But The Lonely Heart
Violin Concerto & Other Short Works
Daniel Lozakovich (violin)
National Philharmonic Orchestra of Russia, Vladimir Spivakov
[Concerto] This is a live concert (before a silent audience), and the excitement of the music comes through the soloist’s fingers. In the finale, taken at speed, Lozakovich doesn’t pause for... — More…
Awards:
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International Classical Music Awards, 2019, Nominee - Assorted Program
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Gramophone Magazine, March 2020, Editor's Choice
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Special offer. Cinéma
Esther Abrami (violin), Ben Palmer, Marcin (guitar)
City of Prague Philharmonic Orchestra, Ben Palmer
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CD
Original price ($18.00) Reduced price $12.60Only 7 left at clearance priceMaximum 1 purchase per customerClearance prices not guaranteed until checkout is completedDownloads
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Special offer. Tchaikovsky: Serenade
Wolfgang Emanuel Schmidt (cello & conductor)
Meta-Morphosen Berlin
The 19-strong string ensemble makes a big-boned sound, closely miked...It launches into the Souvenir de Florence with bold confidence...In the shorter numbers, Schmidt leads a wistful Valse... — More…
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Ma's sound in this album has a rather lived-in quality, golden allure replaced by gritty articulacy. Physical exertion and goal-driven intensity give way to nonchalant calm. This works in a... — More…
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Tchaikovsky Violin Concerto
Christian Li (violin), Royal Liverpool Philharmonic Orchestra, Vasily Petrenko
Without resorting to flashy novelty or idiosyncrasy, Li takes an essentially straightforward approach but makes a mark through his tonal confidence, clarity of gesture and, most tellingly, unwavering... — More…
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Pierre Fournier - Aristocrat of the Cello
RecommendedA treasure trove of great and rare recordings
Pierre Fournier (cello)
Awards:
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Building a Library, June 2012, First Choice
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Audio formats guide -
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Awards:
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International Classical Music Awards, 2025, Nominated - Solo Instrument
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Downloads
Audio formats guide -
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Queyras and Tharaud clearly enjoy the process as well as the freedom of interpretation and presentation that the encore gives. But there is a niggling feeling here of something missing, and... — More…
Awards:
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Gramophone Magazine, April 2020, Editor's Choice
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