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Humperdinck: Hänsel und Gretel

Rita Streich (Gretel), Gisela Litz (Hänsel), Marianne Schech (Gertrud), Horst Günter (Peter), Res Fischer (Die Knusperhexe), Elisabeth Lindermeier (Sandmännchen), Bruno Brückmann (Taumännchen), Hermann Prey (baritone), Elizabeth Schwarzkopf (soprano)

Bavarian Radio Choir & Munich Philharmonic...

Tempi are flexible and what we hear of the orchestra, well balanced within itself, is very characterful. The singers adopt a similar approach, especially Rita Streich, on top of her form...Res...

Humperdinck: Hänsel und Gretel

Rita Streich (Gretel), Gisela Litz (Hänsel), Marianne Schech (Gertrud), Horst Günter (Peter), Res Fischer (Die Knusperhexe), Elisabeth Lindermeier (Sandmännchen), Bruno Brückmann (Taumännchen), Hermann Prey (baritone), Elizabeth Schwarzkopf (soprano)

Bavarian Radio Choir & Munich Philharmonic...

Purchase product

2 CDs

$34.50

3 available: usually despatched in 3 - 4 working days

Tempi are flexible and what we hear of the orchestra, well balanced within itself, is very characterful. The singers adopt a similar approach, especially Rita Streich, on top of her form...Res...

About

Sell-out performances at Glyndebourne and Covent Garden’s all-star production during the Christmas period demonstrate the continuing appeal to all ages, of Hänsel und Gretel in Britain. Elsewhere it is considered staple fare during the festive season.

Fritz Lehmann’s recording is a perennial favourite with a wonderful cast led by Rita Streich, Gisela Litz and Res Fischer, whose Witch is horribly sinister without resorting to caricature by virtue of being superbly sung.

Lehmann also conducts two bonus items: overtures by Wagner and Pfitzner and to complete this unbeatable package there are seasonal items from Elisabeth Schwarzkopf (with arrangements by the sadly missed Sir Charles Mackerras) and German Romantic arias richly sung by the young Hermann Prey.

Artists

Rita Streich (Gretel), Gisela Litz (Hänsel), Marianne Schech (Gertrud), Horst Günter (Peter), Res Fischer (Die Knusperhexe), Elisabeth Lindermeier (Sandmännchen), Bruno Brückmann (Taumännchen), Hermann Prey (baritone), Elizabeth Schwarzkopf (soprano)

Bavarian Radio Choir & Munich Philharmonic Orchestra, Bamberg Symphony Orchestra, Bavarian Radio Symphony Orchestra, Bielfelder Kinderchor, North German Radio Orchestra, Philharmonia Orchestra, Fritz Lehmann, Wilhelm Schüchter, Sir Charles Mackerras

Contents and tracklist

Overture
Track length7:57
Act One: Suse, liebe Suse, was raschelt im Stroh?
Track length3:29
So recht! Und willst du nun nicht mehr klagen
Track length1:59
Brüderchen, komm tanz mit mir
Track length3:29
Himmel, die Mutter!
Track length3:22
Rallalala, rallala, heissa Mutter, ich bin da
Track length2:11
Hoho! Wer speck – specktatelt mir da im Haus
Track length3:58
Doch halt, wo bleiben die Kinder?
Track length1:39
Wenn Sie sich verirrten im Walde dort
Track length3:47
Der Hexenritt
Track length4:04
Act Two: Ein Männlein steht im Walde
Track length1:40
Mein Erbelkörbchen ist voll bis oben
Track length4:28
Gretel! Ich weiss den Weg nicht mehr
Track length3:41
Der kleine Sandmann bin ich
Track length2:22
Abends will ich schlafen gehn
Track length2:20
Pantomime
Track length5:36
Act Three: Prelude
Track length2:27
Der kleine Taumann heiss ich
Track length1:22
Wo bin ich? Wach’ ich? Ist es ein Traum?
Track length5:16
Bleib stehn, blein stehn!
Track length4:25
Knusper, Knusper, Knäuschen
Track length1:55
Act Three cont: Der Wind, der Wind, das himmlische Kind
Track length4:59
Halt! Hokus Pokus, Hexenschuss!
Track length1:16
Nun Gretel, sei vernünftig und nett
Track length6:25
Auf! Wach auf, mein Jüngelchen
Track length3:32
Juchei! Nun ist die Hexe tot
Track length2:28
Erlöst, befreit, für alle Zeit!
Track length4:02
Vater! Mutter!
Track length2:11

Awards and reviews

August 2011

Tempi are flexible and what we hear of the orchestra, well balanced within itself, is very characterful. The singers adopt a similar approach, especially Rita Streich, on top of her form...Res Fischer’s witch is near ideal, never camp or exaggerated...Overall this remains a fine issue of the work...it tells the story in such an idiomatic and engaging way as to be wholly irresistible despite the obvious age of the recording.
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