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Great Operatic Arias 22 - Gerald Finley

Gerald Finley (baritone)

London Philharmonic Orchestra, Geoffrey Mitchell Choir, Edward Gardner

Great Operatic Arias 22 - Gerald Finley

Awards:

All essentials for a recital are present here: the featured artist in good voice, imagination capable of bringing 13 different characters to life..., apt recording decisions and on-the-pace...

Great Operatic Arias 22 - Gerald Finley

Gerald Finley (baritone)

London Philharmonic Orchestra, Geoffrey Mitchell Choir, Edward Gardner

Purchase product

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$9.50

320 kbps, MP3

$8.00

This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit

Awards:

All essentials for a recital are present here: the featured artist in good voice, imagination capable of bringing 13 different characters to life..., apt recording decisions and on-the-pace...

About

One of the leading baritones and dramatic interpreters of his generation, Gerald Finley is an artist who sets alight the stage and delights the ear in whatever the role he portrays.

On this (his first arias disc, and first for Opera in English) he explores a broad range of repertory: old favourites, hidden treasures, and roles which he himself has created, among them J.Robert Oppenheimer in John Adams’s Doctor Atomic and Harry Heegan in Mark-Anthony Turnage’s The Silver Tassie.

Gerald has won accolades across the globe including Gramophone Editor’s Choice Award at the 2006 Gramophone Awards for Stanford: Songs of the Sea (CHSA5043).

English National Opera director Edward Gardner offers a great understanding of Opera in English, and here conducts the London Philharmonic Orchestra in his debut on Chandos.

Contents and tracklist

Iolanthe, Op. 69: Aria: My only beloved Mathilde I claim
Track length2:20
Euryanthe, J. 291, Act II: So weih' ich mich den Rachgewalten (Sung in English)
Track length8:45
Doctor Atomic: Batter my heart
Track length7:49
Otello, Act II: Credo in un Dio crudel (Sung in English)
Track length5:14
Act II: Blick ich umher in diesem edlem Kreise
Track length5:27
Act III: O du mein holder Abendstern
Track length5:33
Don Giovanni, K. 527, Act I: Duettino: La ci darem la mano (Sung in English)
Track length3:53
The Silver Tassie: Oh bring to me a pint of wine
Track length5:09
Carmen, Act II: Toreador's aria: You're most kind (Sung in English)
Track length5:09
Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg), Act III: Verachtet mir die Meister nicht (Sung in English)
Track length6:55
Linda di Chamounix, Act I: Ambo nati in questa valle (Sung in English)
Track length5:13
Tosca, Act I: 3 agents, go in a carriage …
Track length4:55
South Pacific: Some Enchanted Evening
Track length3:42

Spotlight on this release

  • Gerald Finley on the First Night of the Proms

    17th Jul 2025by Katherine Cooper

    In advance of singing Vaughan Williams in tomorrow night's opening concert, the Canadian bass-baritone reflects on his 45-year relationship with the Proms - which began with a 'baptism of fire' just hours after he arrived in London to begin his studies at the Royal College of Music in 1979...

Awards and reviews

  • Gramophone Magazine
    April 2010
    Editor's Choice
  • Opera
    May 2010
    Recording of the Month

April 2010

All essentials for a recital are present here: the featured artist in good voice, imagination capable of bringing 13 different characters to life..., apt recording decisions and on-the-pace accompaniment...Both Gerald Finley and Edward Gardner are natural time-travellers in lyric theatre

2nd May 2010

Opera recital discs too often play safe with repertoire. Not here. This intelligent compilation...satisfyingly mixes popular with unfamiliar. Finley, a versatile stage presence, brings integrity to every dark, burnished note he sings. All these arias come alive, even robbed of their original context.

9th April 2010

As this recital of operatic arias in English handsomely demonstrates, Finley has it all: a rich-toned and smoothly produced voice, crisp diction, sterling technique, immaculate legato, a keen sense of musical style and unfailing sensitivity to drama and character.
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