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Special offer. Mstislav Rostropovich plays Cello Concertos

Mstislav Rostropovich (cello)

The Saint Paul Chamber Orchestra, Boston Symphony Orchestra, Orchestre National de France, London Symphony Orchestra, Collegium Musicum de Zurich, Hugh Wolff, Seiji Ozawa, Crist¢bal Halffter, André Jolivet, Paul Sacher, Kent Nagano

[on Vivaldi & C. P. E. Bach] Rostropovich, however, does have the true measure of these works and plays to an appropriate scale with a
beauty of tone unimaginable from a period instrument. His...

Special offer. Mstislav Rostropovich plays Cello Concertos

Mstislav Rostropovich (cello)

The Saint Paul Chamber Orchestra, Boston Symphony Orchestra, Orchestre National de France, London Symphony Orchestra, Collegium Musicum de Zurich, Hugh Wolff, Seiji Ozawa, Crist¢bal Halffter, André Jolivet, Paul Sacher, Kent Nagano

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[on Vivaldi & C. P. E. Bach] Rostropovich, however, does have the true measure of these works and plays to an appropriate scale with a
beauty of tone unimaginable from a period instrument. His...

About

Contents and tracklist

3 Chorale Preludes : I Ach, was ist doch unser Leben BWV743
Track length5:18
3 Chorale Preludes : II Vater unser im Himmelreich BWV762
Track length4:14
3 Chorale Preludes : III Christus, der uns selig macht BWV747
Track length5:16
I La Florentine
Track length4:49
II La Provençale
Track length2:05
III La Lionnoise
Track length2:23
IV La Bavaroise
Track length1:35
V La Russienne
Track length1:46
VI La Siciliene
Track length1:54
VII La Milaneze
Track length2:04
I Abendlied
Track length4:15
II Pastorale
Track length3:47
III Elegie
Track length4:12
I Allegro non molto
Track length3:07
II Andante
Track length2:52
III Minuetto
Track length3:28
I Largo
Track length6:26
II Allegro
Track length5:13
III Grave
Track length4:50
IV Allegro
Track length3:02
I Allegro
Track length7:28
II Adagio
Track length9:09
III Allegro assai
Track length6:15
I Allegro
Track length14:41
II Adagio ma non troppo
Track length11:55
III Finale - Allegro moderato
Track length12:19
I Andante
Track length10:16
II Allegro giusto
Track length17:00
III Andante con moto
Track length9:45
I "El grito deja en el viento une sombra de ciprés"
Track length11:10
II "Vine a este mundo con ojos y me voy sin ellos"
Track length16:36
III "Si muero, dejad el balcón abierto"
Track length10:24
I Allant - Vivement - Cadence
Track length15:35
II Aria
Track length3:54
III Animé
Track length2:04
I Allegretto
Track length6:29
II Moderato
Track length10:00
III Cadenza
Track length5:03
IV Allegro con moto
Track length4:39
I Chanson pour passer le temps
Track length9:07
II Chanson d'amour
Track length8:39
III Chanson du vent d'ouest
Track length8:33
I Nonchalant
Track length5:07
II Grave
Track length6:14
III Joyeux
Track length3:03
I Andante
Track length9:56
II Presto Cadenza Andante Adagio
Track length11:01
I Andante
Track length5:51
II Lento
Track length4:09
III Allegro marcato
Track length5:20
I Premier mouvement
Track length4:56
II Deuxième mouvement
Track length8:54
III Troisième mouvement
Track length3:48
I Sostenuto
Track length7:14
II Allegretto moderato
Track length14:33
III Scherzo - Cadenza
Track length3:52
IV Finale - Sostenuto - Allegro - Sostenuto
Track length12:22
Un enfant appelle, loin, très loin
Track length8:37
Je crois très bas
Track length6:10
La nuit même où il fut livré
Track length8:51
I - L'attente "un meuble a craqué"
Track length9:05
II - L'interrogatoire "ce n'était qu'une chanson"
Track length12:40
III - La prison "il n'y a plus de temps"... "il n'y a plus d'âge"
Track length14:18
I "Who is this coming up from the wilderness..."
Track length11:37
II "O that you were like a brother to me..."
Track length11:21
III "Make haste, my beloved..."
Track length8:25
IV "You who dwell in the gardens..."
Track length10:53
V "Set me as a seal upon your heart..."
Track length10:52
VI "His left hand is under my head..."
Track length6:43

Awards and reviews

[on Vivaldi & C. P. E. Bach] Rostropovich, however, does have the true measure of these works and plays to an appropriate scale with a
beauty of tone unimaginable from a period instrument. His eloquence has a style of its own, beyond the usual
constraints of period and convention. The lyrical slow movements are imbued with a wistfulness and intimacy reflecting a well-known side of his musical personality; the brooding rhetorical quality of the C.P.E. Bach Adagio is especially compelling’
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