Browse: Instrumental, Cello Solos, Kodály (composer)
This page lists all classical by Zoltan Kodály (1882–1967), in genre: Instrumental » Cello Solos.
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Kodály's Solo Cello Sonata is among the strongest, most searching of all his works, arguably the finest of all works for unaccompanied cello since Bach's suites, and here it receives a performance... — More…
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Gramophone Magazine, January 2004, Editor's Choice
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One of the most eclectic (and electrifying) solo projects to emerge from lockdown, this unaccompanied recital sees Croisé extracting every possible sonority from his instrument without ever sounding... — More…
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Presto Editor's Choice, August 2021
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Müller-Schott ends this formidable unaccompanied recital with Pablo Casals’s Song of the Birds, played with the intense focus, the sense of line and the gleaming purity of tone that characterises... — More…
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Gramophone Magazine, March 2020, Editor's Choice
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Opus Klassik Awards, 2020, Winner - Solo Instrumental Recital (Cello)
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The recordings…were for a live audience so silent that these could be labelled ‘studio’ events. And the selection here, released for the first time, testify both to his versatility and his excellence... — More…
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Diapason d’Or, May 2020, Collectionneur
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Awards:
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International Classical Music Awards, 2023, Nominated - Chamber Music
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[The Kodály is] truly sensational: impassioned, almost confessional-sounding in the slower music, with a top-speed, dazzlingly brilliant finale that conjures whirling dervishes. — More…
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Gramophone Magazine, April 2023, Reissue/Archive Issue of the Month
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Capuçon gives me practically everything I could want in a performance of [the Kodály] – narrative sweep, vibrant colour and rhythmic vitality as well as a wealth of soulful expressive detail,... — More…
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Ever since I can remember, the famous Solo Cello Sonata, Op. 8 of Kodaly, the only work in this genre comparable with the Cello Suites of Bach (and I am not forgetting Britten), has been synonymous... — More…
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It’s impossible not to find solace in [the Bach Sarabande's] ineluctable harmonic logic, and impossible not to be profoundly moved by Wispelwey’s self-effacing reading, a performance heavy with... — More…
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