Help
Skip to main content

Paul Tortelier: RIAS Recordings

Paul Tortelier (cello), Lothar Broddack (piano), Klaus Billing (piano)

Paul Tortelier: RIAS Recordings

Awards:

The recordings…were for a live audience so silent that these could be labelled ‘studio’ events. And the selection here, released for the first time, testify both to his versatility and his excellence...

Paul Tortelier: RIAS Recordings

Paul Tortelier (cello), Lothar Broddack (piano), Klaus Billing (piano)

Purchase product

3 CDs

$29.25

This item is currently out of stock at the UK distributor. You may order it now but please be aware that it may be six weeks or more before it can be despatched.

Download

From$15.00

Download

Audio formats guide

48 kHz, 24 bit, FLAC/ALAC/WAV

$27.25

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$20.25

320 kbps, MP3

$15.00

This release includes a digital booklet

Stream now Hi-RES 48 kHz, 24 bit

Awards:

The recordings…were for a live audience so silent that these could be labelled ‘studio’ events. And the selection here, released for the first time, testify both to his versatility and his excellence...

About

Paul Tortelier (1914-1990), one of the outstanding cellists of his generation, set benchmarks. Paul Tortelier was, alongside Pierre Fournier, the greatest French cellist of his time and one of the most sought-after internationally. He launched his career, which lasted well over 50 years, in the late 1930s.

In these chamber and solo works from Bach through to early modernism, Tortelier’s expressive and elegant playing comes into its own. This edition presents chamber music recordings from the archives of Deutschlandfunk Kultur: an impressive illustration of this great cellist’s enormous range

of repertoire at an early peak of his career. Three works included here are now available for the first time on CD in his interpretations: Robert Schumann’s Fantasiestücke, Op. 73, Alfredo Casella’s cello sonata in C major and Tortelier’s own Trois p’tits tours, of which only the third piece, Le Pitre,

has previously been available on disc. This release forms part of our series “Legendary Recordings”

and bears the stamp “1st Master Release”. The term stands for the exceptional quality of audite’s archive releases which are all, without exception, produced using original tapes from the radio archives.

Contents and tracklist

I. Allegro con brio
Track length7:00
II. Adagio con molto sentimento d'affetto
Track length9:11
III. Allegro - Allegro fugato
Track length4:34
I. Allegro assai vivace
Track length8:17
II. Allegretto scherzando
Track length5:58
III. Adagio
Track length5:04
IV. Molto allegro e vivace
Track length7:18
I. Allegro non troppo
Track length10:58
II. Allegretto quasi Menuetto
Track length6:09
III. Allegro
Track length7:01
I. Prélude
Track length5:40
II. Allemande
Track length6:34
III. Courante
Track length2:39
IV. Sarabande
Track length4:53
V. Gavotte I-II
Track length3:41
VI. Gigue
Track length4:05
I. Allegro
Track length6:18
II. Andante
Track length7:52
III. Allegro vivo
Track length4:45
I. Introduzione. Adagio
Track length3:36
II. Tema. Tempo alla Marcia
Track length1:21
III. Variazioni I
Track length1:15
IV. Variazioni II. Rondò
Track length1:03
V. Variazioni III - Finale
Track length1:11
I. Zart und mit Ausdruck
Track length3:01
II. Lebhaft, leicht
Track length3:31
III. Rasch und mit Feuer
Track length4:21
I. Preludio. Largo molto e sostenuto
Track length9:48
II. Bourrée. Allegro molto vivace e scherzando
Track length4:14
III. Largo
Track length7:40
IV. Rondò. Allegro molto vivace, quasi Giga
Track length4:36
I. Allegro maestoso ma appassionato
Track length8:42
II. Adagio. Con grand' espressione
Track length10:58
III. Allegro molto vivace
Track length10:53
I. Lever de Rideau - L'indifferent. Gavotte
Track length3:40
II. Ballerine. Valse
Track length3:06
III. Le Pitre. Burlesque - Baiser de Rideau
Track length3:10

Awards and reviews

  • Diapason d’Or
    May 2020
    Collectionneur

June 2020

The recordings…were for a live audience so silent that these could be labelled ‘studio’ events. And the selection here, released for the first time, testify both to his versatility and his excellence in his favourite repertoire…Tortelier’s style in Bach was restrained and smooth; legato, he said, should be key and his tempos were at times daringly slow.
View download progress