SACD, Weber (composer)
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Special offer. Weber: Der Freischütz
RecommendedChristine Brewer (Agathe), Sally Matthews (Ännchen), Lars Woldt (Kaspar), Simon O’Neill (Max), Stephan Loges (Ottokar/Zamiel), Martin Snell (Kuno), Gidon Saks (A Hermit), Marcus Farnsworth (Kilian), Lucy Hall (Bridesmaids)
London Symphony Orchestra & Chorus, Sir Colin Davis
This is a sincere reading of the work, but sincerity should not be confused with a lack of sophistication. The orchestral textures are pristine, the tempos and colours bracing and plaintive,... — More…
Awards:
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Presto Recording of the Week, 6th May 2013
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Weber: Complete Works for Piano and Orchestra
RecommendedRonald Brautigam (fortepiano), Kölner Akademie, Michael Alexander Willens
Both concertos have a presto finale which calls for dazzling virtuosity – something which Brautigam has in spades: his fearless pyrotechnics are truly astounding. He’s stylishly supported by... — More…
Awards:
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Presto Recordings of the Year, Finalist 2021
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International Classical Music Awards, 2022, Nominated - Concerto
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Weber: Der Freischütz
RecommendedLise Davidsen (Agathe), Andreas Schager (Max), Sofia Fomina (Ännchen), Alan Held (Kaspar), Markus Eiche (Ottokar), Franz-Josef Selig (Eremit)
Frankfurt Radio Symphony, MDR Leipzig Radio Choir, Marek Janowski
It is carefully done, and due attention is paid to Weber’s inventive score, but the result is frankly pedestrian…There’s good singing here, led by Lise Davidsen’s sweet-toned Agathe, who sings... — More…
Awards:
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Record Review, 26th October 2019, Disc of the Week
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Presto Editor's Choice, October 2019
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Presto Recordings of the Year, Finalist 2019
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International Classical Music Awards, 2019, Nominee - Opera
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Opus Klassik Awards, 2020, Nominee - Conductor of the Year
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Fröst Plays Weber
Clarinet Concertos
Martin Fröst (clarinet)
Tapiola Sinfonietta, Jean-Jacques Kantorow
The Swedish clarinettist Martin Fröst plays with admirable virtuosity and smoothness of tone, and it’s hard to imagine the music better performed. — More…
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Fischer… offers a sparkling performance of the popular overture to Rossini's The Italian Girl in Algiers, and his account of Beethoven's Seventh Symphony is impressive, with the major-mode episodes... — More…
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his voice [is] sweeter and silker than his father's, but characterised by that same delectable enunciation and high intelligence...It's a painstakingly researched and meticulously prepared recital...Both... — More…
Awards:
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BBC Music Magazine, September 2014, Choral & Song Choice
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Mephistopheles And Other Bad Guys
Kevin Short (bass-baritone)
Orchestre Philharmonique de Marseille, Lawrence Foster
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…far from being depressing, the programming here, both thoughtful and vividly imaginative, serves to stimulate the senses and lift the spirit. A fresh and unmannered introductory performance... — More…
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