Browse: La Risonanza (early music ensemble)

One of Invernizzi's virtues is her ability to be fluently articulate and expressive, both in show-stoppers and arias that call for compassion, contemplation and reflection. Unlike some of her... — BBC Music Magazine, September 2012, 5 out of 5 stars More…

Not surprisingly, [the performances] are much in the same vein as in Vol. 1, which is to say bright and buoyant, with no tricks or surprises but plenty of energy and brilliance. Bonizzoni’s playing... — Gramophone Magazine, August 2019 More…

There is a pleasing quality to Fabio Bonizzoni’s first volume of Bach harpsichord concertos, which achieves the difficult task of combining subtle artifice and interpretative joie de vivre with... — Gramophone Magazine, September 2018 More…

sopranos Roberta Invernizzi and Silvia Frigato share the honours with tenor Krystian Adam and baritone Thomas Bauer, and they are all up to the pieces' demands…the accompaniments, meanwhile,... — BBC Music Magazine, March 2016, 4 out of 5 stars More…

The fourth instalment of La Risonanza's survey of Handel's youthful Italian cantatas is devoted to two works probably composed for the Marquis Francesco Maria Ruspoli in Rome. There is no doubt... — Gramophone Classical Music Guide, 2010 More…

Galli has a stylish approach, agile in fast movements, ornaments decorating rather than distorting Handel's lines. She is though, so bound up in the anguish of unrequited love, the common thread,... — BBC Music Magazine, November 2007, 3 out of 5 stars More…

The performance here is one of smouldering sensuality. The verve of the director's gestures generates huge excitement, while the sharp contrast of colours between each singer's voice - the translucence... — BBC Music Magazine, May 2009, 5 out of 5 stars More…