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Handel: Duetti da Camera

Roberta Invernizzi (soprano), Marina De Liso (mezzo-soprano), Caterina Dell’Agnello (cello), Craig Marchitelli (archlute & theorbo), Fabio Bonizzoni (harpsichord)

La Risonanza

Handel: Duetti da Camera
The two voices involved...are no ideally matched...Generally, though, their perfect intonation, vocal vitality and solid musicianship carry them along, pleasantly savouring some of Handel's...

Handel: Duetti da Camera

Roberta Invernizzi (soprano), Marina De Liso (mezzo-soprano), Caterina Dell’Agnello (cello), Craig Marchitelli (archlute & theorbo), Fabio Bonizzoni (harpsichord)

La Risonanza

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The two voices involved...are no ideally matched...Generally, though, their perfect intonation, vocal vitality and solid musicianship carry them along, pleasantly savouring some of Handel's...

About

George Frideric Handel’s 'Duetti da camera' from La Risonanza represent a welcome extension of the ensemble’s award-winning series of Handel solo cantatas on Glossa, and come with the luxurious vocal pairing of Roberta Invernizzi and Marina De Liso.

These chamber duets, scored for soprano and alto, were written across a period spanning four decades: first, after Handel’s move to Hanover in 1710, following his remarkable Italian compositional apprenticeship which yielded quantities of cantatas, motets and instrumental chamber works; next in the 1720s, when he was writing Italian operas and music for the Court in London; and lastly when he was composing English oratorios in the 1740s. Such vocal duos had become part of an established tradition, especially in Italy, during the late 17th century.

Soprano Roberta Invernizzi who has applied Italian grace and charm to many Glossa recordings (most recently 'La bella più bella') is ideally matched by Marina De Liso, whose rich mezzo tones have made her another firm audience favourite across Baroque and Classical repertories. Fabio Bonizzoni provides luxurious continuo support on the harpsichord with the assistance of cellist Caterina Dell’Agnello and theorbo player Craig Marchitelli.

Contents and tracklist

Sono liete, fortunate, dolci, grate, HWV 194
Track length4:07
Troppo cruda, troppo fiera
Track length7:28
Langue, geme, sospira e si langna, HWV 188
Track length5:09

Awards and reviews

Juy 2014

The two voices involved...are no ideally matched...Generally, though, their perfect intonation, vocal vitality and solid musicianship carry them along, pleasantly savouring some of Handel's delicate word-painting.

July 2014

Neither singer is afraid of ugliness; their direction brings an operatic palette and scope to these domestic works...the singers excel in characterisation, compressing musical drama into these microcosms.

10th May 2014

Expressive singing comes from voices that have plummy moments but are stylish and immaculately controlled. Handel’s peerless gift for melodies that embody the text’s emotion is always evident.

Early Music Today Summer 2014

Bonizzoni’s recordings of Handel’s Italian cantatas are the finest on disc, and he brings the same light, speedy touch and acute insight to the duets … [here] it’s the entwined brilliance of Invernizzi and de Liso, the flash and sparkle of their voices in proximity, that is the disc’s keenest pleasure.
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