Browse: Cambridge History of Music (series)

With The Cambridge History of World Music, Philip Bohlman and company have confronted the hazards of this complex enterprise head on while at the same time inspiring the kinds of curiosity, wonder,... — Ethnomusicology (Journal) More…

In two volumes containing thirty-nine essays, The Cambridge History of Medieval Music addresses central concerns: theoretical systems, the work concept, genre, practice, analysis, interpretation,... — Renaissance Quarterly More…

The Cambridge History of Music Criticism is an incredible resource in a field where much formal research is still to be done, and it will no doubt be an important springboard for further studies... — Limelight More…

a comprehensive, impressive overview of the music of the period in question ... Jim Samson has assembled an equally impressive selection of Anglo-American musicological minds to write it with... — Musical Times More…

rich in detail ... The Cambridge History of Sixteenth-Century Music, in short, invites us to consider these themes, and to revisit the beautiful music of the period with renewed curiosity — Revue de musicologie More…

Enjoyable and non-technical, this fine volume has much to offer to all those interested in the highways and byways of the American musical landscape — BBC Music Magazine More…

It provides a glorious, grandstand view of the institutions, and the social and technological forces, that have generated decisive changes in performance — BBC Music Magazine More…

It can be warmly recommended as a worthwhile institutional purchase and as an encouragingly good read — Music Teacher More…

The Cambridge History of Music Criticism is an incredible resource in a field where much formal research is still to be done, and it will no doubt be an important springboard for further studies... — Limelight More…

It can be warmly recommended as a worthwhile institutional purchase and as an encouragingly good read — Music Teacher More…