The Cambridge History of Musical Performance

Contents

• Preface Colin Lawson and Robin Stowell;
• Part I . Performance Through History:
• 1. Performance today Nicholas Kenyon;
• 2. Political process, social structure, and musical performance in Europe since 1450 William Weber;
• 3. The evidence Robin Stowell;
• 4. The performer and the composer Corey Jamason;
• 5. The teaching of performance Natasha Loges and Colin Lawson;
• 6. Music and musical performance: histories in disjunction? David Wright;
• Part II . Pre-Renaissance Performance:
• 7. The ancient world Eleonora Rocconi;
• 8. Performance before c.1430: an overview John Haines;
• 9. Vocal performance before c.1430 Jeremy Summerly;
• 10. Instrumental performance before c.1430 Stefano Mengozzi;
• 11. Case study: Guillaume de Machaut: ballade 34, 'Quant Theseus/Ne quier veoir' John Haines;
• Part III . Performance in the Renaissance (c.1430-1600):
• 12. Performance in the Renaissance: an overview Jon Banks;
• 13. Vocal performance in the Renaissance Timothy McGee;
• 14. Instrumental performance in the Renaissance Keith Polk;
• 15. Case study: Seville cathedral's music in performance 1549-1599 Owen Rees;
• Part IV . Performance in the Seventeenth Century:
• 16. Performance in the seventeenth century: an overview Tim Carter;
• 17. Vocal performance in the seventeenth century Richard Wistreich;
• 18. Instrumental performance in the seventeenth century David Ponsford;
• 19. Case study: Monteverdi's Mass and Vespers (1610) Jonathan Wainwright;
• Part V . Performance in the 'Long Eighteenth Century':
• 20. Performance in the 'long eighteenth century': an overview Simon McVeigh;
• 21. Vocal performance in 'the long eighteenth century' John Potter;
• 22. Instrumental performance in 'the long eighteenth century' Peter Walls;
• 23. Case study: Mozart: Symphonies in E flat major K543, G minor K550 and C major K551 Colin Lawson;
• Part VI . Performance in the Nineteenth Century:
• 24. Performance in the nineteenth century: an overview Michael Musgrave;
• 25. Vocal performance in the nineteenth century Will Crutchfield;
• 26. Instrumental performance in the nineteenth century Ian Pace;
• 27. Case study: Richard Wagner: Tristan und Isolde Robin Stowell;
• Part VII . The Twentieth Century and Beyond:
• 28. Musical performance in the twentieth century: an overview Stephen Cottrell;
• 29. Vocal performance in the twentieth century and beyond Jane Manning and Anthony Payne;
• 30. Instrumental performance in the twentieth century and beyond Roger Heaton;
• 31. Case study: Karlheinz Stockhausen: Gruppen fur drei Orchester William Mival;
• Part VIII :
• 32. The future? Colin Lawson and Robin Stowell; Bibliography.