The Cambridge History of Eighteenth-Century Music

Contents

• Editor's preface Simon P. Keefe
• Prelude: 1. The musical map of Europe c.1700 STEPHEN ROSE
• Part I . Music for the Church:
• 2. Catholic church music in Italy, and the Spanish and Portuguese Empires PAUL R. LAIRD
• 3. Catholic sacred music in Austria JEN-YEN CHEN
• 4. Catholic church music in France JEAN-PAUL C. MONTAGNIER
• 5. Lutheran church music STEPHEN ROSE
• 6. Protestant church music in England and America CHARLES E. BREWER
• Interlude
• 7. Listening, thinking and writing DAVID SCHROEDER
• Part II . Music for the Theatre:
• 8. Italian opera in the eighteenth century MARGARET R. BUTLER
• 9. Opera in Paris from Campra to Rameau LOIS ROSOW
• 10. An instinct for parody and a spirit for revolution: Parisian opera, 1752-1800 MICHAEL FEND
• 11. German opera from Richard Keiser to Peter Winter CLAUDIA MAURER ZENCK, translated by Anke Caton and Simon P. Keefe
• 12. The lure of aria, procession and spectacle: opera in eighteenth-century London MICHAEL BURDEN
• 13. Music theatre in Spain RAINER KLEINERTZ
• 14. Opera in Sweden GREGER ANDERSSON
• Interlude
• 15. Performance in the eighteenth century JOHN IRVING
• Part III . Music for the Salon and Concert Room:
• 16. Keyboard music from Couperin to early Beethoven ROHAN STEWART-MACDONALD
• 17. The Serenata in the eighteenth century STEFANIE TCHAROS
• 18. Private music in public spheres: chamber cantata and song BERTA JONCUS
• 19. Handel and English oratorio EVA ZOELLNER
• 20. The Overture-Suite, Concerto Grosso and Harmoniemusik in the eighteenth century STEVEN ZOHN
• 21. Concerto of the individual SIMON MCVEIGH
• 22. Eighteenth-century symphonies: an unfinished dialogue RICHARD WILL
• 23. The string quartet CLIFF EISEN
• Postlude: 24. Across the divide: currents of musical thought in Europe, c.1790-1810 SIMON P. KEEFE
• Appendix 1: Personalia DAVID BLACK
• Appendix 2: Chronology DAVID BLACK
• Appendix 3: Institutions in major European cities DAVID BLACK.