The Cambridge History of World Music

Contents

• Introduction world music's histories Philip V. Bohlman;
• Part I . Histories of World Music:
• 1. On world music as a concept in the history of music scholarship Bruno Nettl;
• 2. Music cultures of mechanical reproduction Peter Manuel;
• 3. Western music as world music Nicholas Cook;
• Part II . The History of Music before History:
• 4. Foundations of musical knowledge in the Muslim world Stephen Blum;
• 5. Indian music history in the context of global encounters Bonnie C. Wade;
• 6. Native American ways of (music) history Beverley Diamond;
• Part III . Music Histories of Global Encounter and Exchange:
• 7. Encounter music in Oceania: cross-cultural musical exchange in eighteenth- and early nineteenth-century voyage accounts Vanessa Agnew;
• 8. Music, history, and the sacred in South Asia Jaime Jones;
• 9. Music, minas, and the golden Atlantic Suzel A. Reily;
• Part IV . The Enlightenment and World Music's Historical Turn:
• 10. Johann Gottfried Herder and the global moment of world-music history Philip V. Bohlman;
• 11. Tartini the Indian: perspectives on world music in the Enlightenment Sebastian Klotz;
• 12. The music of non-western nations and the evolution of British ethnomusicology Bennett Zon;
• Part V . Music Histories of the Folk and the Nation:
• 13. Korean music before and after the West Keith Howard;
• 14. Folk music in Eastern Europe Timothy J. Cooley;
• 15. A story with(out) gauchos: folk music in the building of the Argentine nation Bernardo Illari;
• Part VI . Asian Music Histories:
• 16. Four recurring themes in histories of Chinese music Jonathan P. J. Stock;
• 17. On the history of the musical arts in South East Asia Margaret Kartomi;
• 18. Musicians and the politics of dignity in South India Kaley Mason;
• Part VII . Institutions and Politics of Representation:
• 19. Images of sound: Erich M. von Hornbostel and the Berlin phonogram archive Lars-Christian Koch;
• 20. Music in the mirror of multiple nationalisms: sound archives and ideology in Israel and Palestine Ruth F. Davis;
• 21. Repatriation as reanimation through reciprocity Aaron A. Fox;
• Part VIII . The Globalization of World Music in History:
• 22. Landscapes of diaspora Timothy Rommen;
• 23. Sufism and the globalization of sacred music Regula Burckhardt Qureshi;
• 24. Global exoticism and modernity W. Anthony Sheppard;
• Part IX . Musical Discourses of Modernity:
• 25. Encountering African music in history and modernity Gregory Barz;
• 26. The politics of music categorization in Portugal Salwa El-Shawan Castelo-Branco;
• 27. The world according to the Roma Michael Beckerman;
• Part X . Musical Ontologies of Globalization:
• 28. Disseminating world music Travis A. Jackson;
• 29. Musical antinomies of race and empire Wayne Marshall and Ronald Radano;
• 30. Globalized new capitalism and the commodification of taste Timothy D. Taylor;
• Part XI . Beyond World-Music History:
• 31. The time of music and the time of history Martin Clayton;
• 32. The ethics of ethnomusicology in a cosmopolitan age Kay Kaufman Shelemay;
• 33. Towards a new world? The vicissitudes of American popular music Richard Middleton; Afterword: a worldly musicology? Martin Stokes.