The Cambridge History of Twentieth-Century Music

Contents

• Introduction: trajectories of twentieth-century music Nicholas Cook with Anthony Pople;
• 1. Peripheries and interfaces: the Western impact on other music Jonathan Stock;
• 2. Music of a century: museum culture and the politics of subsidy Leon Botstein;
• 3. Innovation and the avant-garde, 1900-20 Christopher Butler;
• 4. Music, text and stage: the tradition of bourgeois tonality to the Second World War Stephen Banfield;
• 5. Classic jazz to 1945 James Lincoln Collier;
• 6. Flirting with the vernacular: America in Europe, 1900-1945 Susan C. Cook;
• 7. Between the wars: traditions, modernisms, and the 'little people from the suburbs' Peter Franklin;
• 8. Brave new worlds: experimentalism between the wars David Nicholls;
• 9. Proclaiming a mainstream: Schoenberg, Berg, and Webern Joseph Auner;
• 10. Rewriting the past: classicisms of the inter-war period Hermann Danuser;
• 11. Music of seriousness and commitment: the 1930s and beyond Michael Walter;
• 12. Other mainstreams: light music and easy listening, 1920-70 Derek B. Scott;
• 13. New beginnings: the international avant-garde, 1945-62 David Osmond-Smith;
• 14. Individualism and accessibility: the moderate mainstream, 1945-75 Arnold Whittall;
• 15. After swing: modern jazz and its impact Mervyn Cooke;
• 16. Music of the youth revolution: rock through the 1960s Robynn Stilwell;
• 17. Expanding horizons: the international avant-garde, 1962-75 Richard Toop;
• 18. To the millennium: music as twentieth-century commodity Andrew Blake;
• 19. Ageing of the new: the museum of musical modernism Alastair Williams;
• 20. (Post-)minimalisms, 1975-2000: the search for a new mainstream Robert Fink;
• 21. History and class consciousness: pop music towards 2000 Dai Griffiths;
• 22. 'Art' music in a cross-cultural context: the case of Africa Martin Scherzinger; Appendix
• 1. Personalia Peter Elsdon with Bjoern Heile; Appendix
• 2. Chronology Peter Elsdon and Peter Jones.