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The Cambridge History of Medieval Music 2 Volume Hardback Set

  • Editor: Everist, Mark
  • Editor: Kelly, Thomas Forrest
In two volumes containing thirty-nine essays, The Cambridge History of Medieval Music addresses central concerns: theoretical systems, the work concept, genre, practice, analysis, interpretation,... More…

Book

$267.00

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Contents

  • Volume 1:
  • 1. Musical legacies from the ancient world Peter Jeffery;
  • 2. Origins and transmission of Franco-Roman chant Andreas Pfisterer;
  • 3. Sources of Romano-Frankish liturgy and music Joseph Dyer;
  • 4. Regional liturgies: Spanish, Beneventan, Gallican, Milanese Terence Bailey;
  • 5. Nova cantica Jeremy Llewellyn;
  • 6. Music and prosopography Margot Fassler;
  • 7. The silence of medieval singers Benjamin Bagby and Katarina Livljanic;
  • 8. Notation I Thomas Kelly;
  • 9. Tropes Andreas Haug;
  • 10. Sequence Lori Kruckenburg;
  • 11. Music theory Thomas Christensen;
  • 12. Vernacular song: lyric Elizabeth Aubrey;
  • 13. Vernacular song: romance Anne Ibos-Auge;
  • 14. Instruments and their music Nigel Wilkins;
  • 15. Teaching and learning music Anna-Maria Busse Berger;
  • 16. Music in drama David Klausner;
  • 17. The sources Stanley Boorman;
  • 18. The revival of medieval music John Haines;
  • 19. Medieval performance practice Timothy McGee;
  • 20. Issues in the modern performance of medieval music John Potter; Volume 2:
  • 21. Institutions and foundations Alejandro Planchart;
  • 22. Notation II Lawrence Earp;
  • 23. Rhythm and metre John Caldwell;
  • 24. Tonal organisation in polyphony, 1150-1400 Peter Lefferts;
  • 25. Liturgy and plainchant, 1150-1570 Peter Lefferts and Roman Hankeln;
  • 26. Early polyphony James Grier;
  • 27. Notre Dame Edward Roesner;
  • 28. Liturgical polyphony after 1300 Karl Kugle;
  • 29. The emergence of polyphonic song Mark Everist;
  • 30. Vernacular song: polyphony Elizabeth Eva Leach;
  • 31. The thirteenth-century motet Rebecca Baltzer;
  • 32. The fourteenth-century motet Alice Clark;
  • 33. Latin song I: songs and songbooks from the ninth to the thirteenth century Helen Deeming;
  • 34. Latin song II: the music and texts of the conductus Thomas Payne;
  • 35. Trecento I: secular music Michael Cuthbert;
  • 36. Trecento II: sacred music and motets in Italy and the East from 1300 until the end of the schism Michael Cuthbert;
  • 37. Ars subtilior Anne Stone;
  • 38. Citational practice in the later Middle Ages Yolanda Plumley;
  • 39. 'Medieval music' or 'early European music'? Reinhard Strohm.