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Gerhaher’s outstanding qualities – a heavenly baritone, crisp diction, intelligent address – once again find an echo in Huber’s pianism. — More…
Awards:
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Gramophone Magazine, Awards Issue 2014, Editor's Choice
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Gramophone Awards, 2015, Winner - Solo Vocal
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A truly memorable experience. The first half of the programme is divided between settings of Mayrhofer and Goethe, two poets who drew the very best out of Schubert. Bostridge responds to this... — More…
Awards:
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Gramophone Magazine, August 2001, Disc of the Month
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Arcayürek is a young Turk, light of voice, but not in the English tenor mode…On the one hand, I am relieved to hear a singer who doesn’t go in for elaborate interpretation…On the other, I found,... — More…
Awards:
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Gramophone Magazine, Awards Issue 2017, Editor's Choice
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Presto Recordings of the Year, Finalist 2017
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Schubert: Stimme der Liebe (The Voice of Love')
Ian Partridge (tenor), Jennifer Partridge, Ernest Lush
Both singer and pianist refined the art of simplicity...A more subtle virtue is the Partridges’ sensitivity to Schubert’s art of the unexpected. — More…
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Gramophone Magazine, August 2023, Reissue/Archive Issue of the Month
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Schubert Lieder Volume 2: An Mein Herz
Matthias Goerne (baritone), Eric Schneider (piano) and Helmut Deutsch (piano)
Goerne… and Schneider offer grave and solemn performances of Goethe's Mignon and Harper songs, before ending on a higher note, celebrating the eternal joy of love in 'Willkommen and Abschied'. — More…
Awards:
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Gramophone Magazine, December 2008, Editor's Choice
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New. Fischer-Dieskau Lieder A-Z: Schubert
Dietrich Fischer-Dieskau (baritone), Gerald Moore (piano), Jörg Demus (piano), Unknown (piano), Daniel Barenboim (piano), Alfred Brendel (piano), Sviatoslav Richter (piano), Dame Janet Baker (mezzo-sopranovocalist), Elly Ameling (soprano), Peter Schreier (tenor), Horst Laubenthal (tenor)
RIAS...
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Schubert: Lieder
Christoph Prégardien/Michael Gees, Michael Gees (piano), Christoph Prégardien (tenor vocals)
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This collection of 'songs of travel and farewell' includes the well-known and the unfamiliar, all vividly presented in the German tenor's finely judged interpretations. — More…
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