Mozart: Le nozze di Figaro
Mari Eriksmoen (Susanna, Andrè Schuen (Figaro), Christine Schäfer (Countess), Bo Skovhus (Count), Elisabeth Kulman (Cherubino)
Concentus Musicus Wien, Arnold Schoenberg Chor, Nikolaus Harnoncourt
this is a Mozart with a difference: rather than interpreting, singers and orchestra confront text and music with a liveliness and intensity that should also compel viewers to see things differently.
Mozart: Le nozze di Figaro
Mari Eriksmoen (Susanna, Andrè Schuen (Figaro), Christine Schäfer (Countess), Bo Skovhus (Count), Elisabeth Kulman (Cherubino)
Concentus Musicus Wien, Arnold Schoenberg Chor, Nikolaus Harnoncourt
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this is a Mozart with a difference: rather than interpreting, singers and orchestra confront text and music with a liveliness and intensity that should also compel viewers to see things differently.
About
He was out to create something unheard-of, observed conductor Nikolaus Harnoncourt beforehand. And true to form: What the conductor had to offer as he commenced his Mozart/Da Ponte cycle in the Theater an der Wien was something we had never before heard like this (Kurier). Nikolaus Harnoncourt, master of period performance practice, realized a project that had long been one of his dearest wishes: for the first time, he and his original-sound orchestra Concentus Musicus and his personal choice of singers were presenting the complete Mozart/Da Ponte cycle and harvesting the fruits of his Mozart research an enthusiastically acclaimed cycle! (news.at). PART I - Le nozze di Figaro + Documentary: Nikolaus Harnoncourt - Between Obsession and Perfection Part I: Le nozze di Figaro
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Awards and reviews
February 2022
this is a Mozart with a difference: rather than interpreting, singers and orchestra confront text and music with a liveliness and intensity that should also compel viewers to see things differently.