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Special offer. A Finzi Anthology
Robert Plane (clarinet), Tim Hugh (cello), Roderick Williams (baritone), Iain Burnside (piano), James Gilchrist (tenor), John Mark Ainsley (tenor)
Choir of St John's College Cambridge, Christopher Robinson
Finzi's ineffable enchantment at word setting and musicality generally has an enduring place in pastoral-mystical-ecstatic British music. The only Finzi boxed set.
Special offer. A Finzi Anthology
Robert Plane (clarinet), Tim Hugh (cello), Roderick Williams (baritone), Iain Burnside (piano), James Gilchrist (tenor), John Mark Ainsley (tenor)
Choir of St John's College Cambridge, Christopher Robinson
Purchase product
Finzi's ineffable enchantment at word setting and musicality generally has an enduring place in pastoral-mystical-ecstatic British music. The only Finzi boxed set.
About
More than any other composer, Gerald Finzi (1901–1956) has come to embody the lyrical pastoralism so associated with English twentieth-century music. This anthology includes eight critically acclaimed recordings of Finzi’s works. The themes of fragility and transient existence are expressed in three early song anthologies with words by Thomas Hardy, Finzi’s favourite poet. Intimations of Immortality is a deeply touching lament for the passing of the freshness of childhood, while the tender Dies Natalis is a setting of texts by the 17th-century poet Thomas Traherne. Lo, the Full, Final Sacrifice takes the listener through a feast of moods and textures and ends with one of the most sublime Amens in all choral music. Finzi’s enchanting Clarinet Concerto was completed in 1949 in response to a commission from the Three Choirs Festival, and the Cello Concerto, with its elegiac slow movement, was composed when Finzi learned that he was suffering from an incurable illness and is one of his finest works.
Contents and tracklist
- Robert Plane (clarinet)
- Northern Sinfonia
- Howard Griffiths
- Recorded: 3-6 September 1995
- Recording Venue: Newcastle, Australia
- Robert Plane (clarinet)
- Northern Sinfonia
- Howard Griffiths
- Recorded: 3-6 September 1995
- Recording Venue: Newcastle, Australia
- Northern Sinfonia
- Howard Griffiths
- Recorded: 3-6 September 1995
- Recording Venue: Newcastle, Australia
- Northern Sinfonia
- Howard Griffiths
- Recorded: 3-6 September 1995
- Recording Venue: Newcastle, Australia
- Northern Sinfonia
- Howard Griffiths
- Recorded: 3-6 September 1995
- Recording Venue: Newcastle, Australia
- Lesley Hatfield (violin)
- Northern Sinfonia
- Howard Griffiths
- Recorded: 3-6 September 1995
- Recording Venue: Newcastle, Australia
- Tim Hugh (cello)
- Northern Sinfonia
- Howard Griffiths
- Recorded: 14 and 26 January 2001
- Recording Venue: Jubilee Theatre, Gosforth, Newcastle-upon-Tyne, UK
- Peter Donohoe (piano)
- Northern Sinfonia
- Howard Griffiths
- Recorded: 14 and 26 January 2001
- Recording Venue: Jubilee Theatre, Gosforth, Newcastle-upon-Tyne, UK
- Peter Donohoe (piano)
- Northern Sinfonia
- Howard Griffiths
- Recorded: 14 and 26 January 2001
- Recording Venue: Jubilee Theatre, Gosforth, Newcastle-upon-Tyne, UK
- Christopher Whitton (organ)
- Choir of St John's College Cambridge
- Christopher Robinson
- Recorded: 17-19 March 2001
- Recording Venue: St John's College Chapel, Cambridge, UK
- Christopher Whitton (organ)
- Choir of St John's College Cambridge
- Christopher Robinson
- Recorded: 17-19 March 2001
- Recording Venue: St John's College Chapel, Cambridge, UK
- Recorded: 17-19 March 2001
- Recording Venue: St John's College Chapel, Cambridge, UK
- Christopher Whitton (organ)
- Choir of St John's College Cambridge
- Christopher Robinson
- Recorded: 17-19 March 2001
- Recording Venue: St John's College Chapel, Cambridge, UK
- Choir of St John's College Cambridge
- Christopher Robinson
- Recorded: 17-19 March 2001
- Recording Venue: St John's College Chapel, Cambridge, UK
- Christopher Whitton (organ)
- Choir of St John's College Cambridge
- Christopher Robinson
- Recorded: 17-19 March 2001
- Recording Venue: St John's College Chapel, Cambridge, UK
Awards and reviews
Music Week October 2016
Finzi's ineffable enchantment at word setting and musicality generally has an enduring place in pastoral-mystical-ecstatic British music. The only Finzi boxed set.
Classical Music May 2017
His music continues to be much admired and celebrated as it embraces a rich variety of moods, from elegiac lyricism, through spiritual reflection, to radiant joy.
New Classics March 2017
His [Finzi’s] music continues to be much admired and celebrated as it embraces a rich variety of moods, from elegiac lyricism, through spiritual reflection, to radiant joy.