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Special offer. Mozart: Requiem & Bruckner: Te Deum

Sheila Armstrong (soprano), Janet Baker (mezzo-soprano), Nicolai Gedda (tenor) & Dietrich Fischer-Dieskau (baritone), Anne Pashley (soprano), Birgit Finnilä (contralto), Robert Tear (tenor) & Don Garrard (bass)

English Chamber Orchestra & John Alldis Choir, New Philharmonia Orchestra...

The “Dies Irae” has what I can only call a fanatical attack and tempo, while ‘Hostias’, taken extremely slowly, is deeply devotional. Barenboim has, of course, a superb quartet of soloists,...

Special offer. Mozart: Requiem & Bruckner: Te Deum

Sheila Armstrong (soprano), Janet Baker (mezzo-soprano), Nicolai Gedda (tenor) & Dietrich Fischer-Dieskau (baritone), Anne Pashley (soprano), Birgit Finnilä (contralto), Robert Tear (tenor) & Don Garrard (bass)

English Chamber Orchestra & John Alldis Choir, New Philharmonia Orchestra...

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The “Dies Irae” has what I can only call a fanatical attack and tempo, while ‘Hostias’, taken extremely slowly, is deeply devotional. Barenboim has, of course, a superb quartet of soloists,...

About

Contents and tracklist

I. Introitus: Requiem aeternam -
Track length5:22
II. Kyrie
Track length2:53
1. Dies irae
Track length1:46
2. Tuba mirum
Track length4:21
3. Rex tremendae
Track length2:22
4. Recordare
Track length6:10
5. Confutatis -
Track length3:01
6. Lacrimosa
Track length3:18
1. Domine Jesu Christe - Quam olim Abrahae
Track length4:01
2. Hostias - Quam olim Abrahae
Track length5:23
V. Sanctus - Osanna
Track length1:42
VI. Benedictus - Osanna
Track length5:51
VII. Agnus Dei -
Track length3:33
VIII. Communio: Lux aeterna - Cum sanctis tuis
Track length6:24
Te Deum (2008 Digital Remaster): Te Deum laudamus (choir / solo quartet)
Track length6:05
Te ergo quaesumus (solo quartet)
Track length2:54
Aeterna fac cum sanctis tuis (solo quartet / choir)
Track length1:18
Salvum fac populum tuum (solo quartet / choir)
Track length6:32
In te, Domine, speravi (choir / solo quartet)
Track length6:03

Awards and reviews

The “Dies Irae” has what I can only call a fanatical attack and tempo, while ‘Hostias’, taken extremely slowly, is deeply devotional. Barenboim has, of course, a superb quartet of soloists, an absolutely first-rate chorus and an orchestra that knows how to play Mozart with the utmost artistry…You really should not overlook this exciting and most beautiful performance.

11th June 2013

[Barenboim] has an impeccable view for architecture...The quartet of soloists is superb, as much for their heartfelt identification with the text as for the musical sound they make...The singing of the John Alldis Choir has a commitment and urgency to it throughout...The playing of the ECO is never less than magisterial.
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