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Special offer. Aleksandra Kurzak: Gioia!

Aleksandra Kurzak (soprano), Francesco Demuro (tenor)

Orchestra de la Comunitat Valenciana, Omer Meir Wellber

Aleksandra Kurzak: Gioia!

Awards:

Kurzak impresses as a coloratura soprano of the old school

Special offer. Aleksandra Kurzak: Gioia!

Aleksandra Kurzak (soprano), Francesco Demuro (tenor)

Orchestra de la Comunitat Valenciana, Omer Meir Wellber

Purchase product

44.1 kHz, 16 bit, FLAC/ALAC/WAV

Original price ($12.50) Reduced price $8.25

320 kbps, MP3

$8.25

No digital booklet included

Stream now lossless, 44.1 kHz, 16 bit

Awards:

Kurzak impresses as a coloratura soprano of the old school

About

The lyric soprano Aleksandra Kurzak is one of the most exciting young singers on the international stage - thrilling press and public alike with her performances in Europe and the US. "Gioia", her debut on Decca, is the eagerly anticipated proof of her excellence. This debut is capturing the current state of Aleksandra's voice by contrasting lyric and coloratura arias, focusing on roles which she has performed on stage. The album features much-loved Puccini arias from La Bohème and Gianni Schicchi, bel canto showpieces from I Puritani and Lucia di Lammermoor and the taxing First Act aria from La traviata "Sempre libera" which showcases both her effortless agility and the full, warm intensity of a Verdi lyric soprano.

“A rising-star soprano with flashing eyes and cover-girl looks” (The Observer).

Contents and tracklist

Una voce poco fa
Track length5:50
Giunse alfin il momento... Deh vieni non tardar
Track length4:27
Regnava nel silenzio
Track length8:34
Mein Herr Marquis
Track length3:24
O mio babbino caro
Track length2:22
"Ah, fors'è lui...Sempre libera"
Track length8:27
Gualtier Maldè...Caro nome
Track length6:20
"Son vergin vezzosa"
Track length3:35
Una parola, Adina
Track length8:37
Quando m'en vo
Track length2:31
Do grobu trwac w bezzennym stanie
Track length6:38

Spotlight on this release

Awards and reviews

  • Presto Recording of the Week
    20th February 2012
  • Opera
    April 2012
    Recording of the Month

September 2011

Kurzak impresses as a coloratura soprano of the old school

October 2011

So, what's special? The tone quality of the voice, in which an apparently endless sparkle is subtly coloured by darker, East European tints. The accuracy of pitch and intervals...The ability to act with the voice (Adele and Lauretta, which follow each other here, sound really radically different). Also, and it's not as common as you may think, she conveys a real understanding of the text.

February 2012

Kurzak's technique is well honed, scale-work clearly surmounted, no slovenly sliding through the fioritura, and her timbre is most agreeable, having no rawness to spoil the euphony. One can say that her voice does not have the number of colours that a soprano with a larger voice might display, but I did not find that I was bored at any time.

her musical intelligence ensures that there is no hint of monotony here even in some over-exposed repertoire...She achieves everything without resorting to show-off tactics; indeed, a few numbers might almost be described as reserved. Every track gives pleasure, but highlights include a seductive ‘Deh vieni’

20th February 2012

there’s not so much as a hint of shrillness even at the very top of the voice: her warm middle register has a mellowness and body which isn’t normally associated with coloratura sopranos and she never lapses into the generic arch mannerisms which can sometimes creep into these roles...Kurzak simply exudes joy from beginning to end.

27th January 2012

There's a gamine appeal about young Polish soprano Aleksandra Kurzak, who brings an innocent enthusiasm to the arias on this debut collection, negotiating the richly ornamented phrases with an almost exultant relish. Her joie de vivre is well-suited to the "laughing aria" from Die Fledermaus...while her vibrato during "Regnava nel silenzio"...is so controlled it's astonishing to learn she received no vocal training till she was 19.

21st January 2012

there’s no doubt that her voice is stupendous: firm, true, crystal-clear in coloratura, beautifully rich in legato. I enjoyed this far more than recent releases by more famous sopranos.
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