Name: Weber: Der Freischütz
Price: 23.75 USD
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Karl Böhm's Freischütz (1972) that has the natural ease of born kinship. His playing of the overture sets the tone with sounds that breathe the sunlit forests; the Wolf's Glen scene tilts these... — Gramophone Classical Music Guide, 2010 More…

Release Date: 29th Oct 2007
Catalogue No: C732072
Label: Orfeo
Series: Orfeo d'Or, Wiener Staatsoper Live
Length: 2 hours 8 minutes

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Usually despatched in 3 - 4 working days

Weber: Der Freischütz

Work length2:08:43

$38.00

$49.30

James King, Heinz Zednik, Manfred Jungwirth, Karl Ridderbusch, Renate Holm, Gundula Janowitz, Gustav Elger, Eberhard Wächter, Franz Crass
Wiener Staatsoper, Chor der Wiener Staatsoper
Karl Böhm

Overture

Track length10:13

$3.00

$3.85

Act I: Introduction: Victoria! der Meister soll leben (Chorus, Max)

Track length1:27

$1.00

$1.30

Act I: Schau der Herr mich an als Konig! (Kilian, Chorus, Max)

Track length3:32

$1.00

$1.30

Act I: Dialogue: Was gibt hier? (Kuno, Kilian, Max, Kaspar)

Track length1:10

$1.00

$1.30

Act I: Trio: Oh, diese Sonne, furchtbar steigt sie mir empor! (Max, Kuno, Kaspar, Chorus)

Track length6:47

$1.00

$1.30

Act I: Dialogue: Jetzt schlag er sich die Grillen aus dem Kopf (Kilian, Max)

Track length1:34

$1.00

$1.30

Act 1: Recitative: Nein, langer trag' ich nicht - Aria: Durch die Walder (Max)

Track length7:22

$2.00

$2.60

Act I: Dialogue: Da bist du noch Kamerad (Kaspar, Max)

Track length1:01

$1.00

$1.30

Act I: Lied: Hier im ird'schen Jammertal (Kaspar)

Track length2:21

$1.00

$1.30

Act I: Dialogue: Agathe hat recht, wenn sie mich immer vor dir warnt (Max, Kaspar)

Track length2:30

$1.00

$1.30

Act I: Aria: Schweig! Damit dich niemand warnt (Kaspar)

Track length4:01

$1.00

$1.30

Act II: Duet: Schelm, halt fest! (Annchen, Agathe)

Track length4:28

$1.00

$1.30

Act II: Dialogue: So, nun wird der Ahnherr (Annchen, Agathe)

Track length0:31

$1.00

$1.30

Act II: Arietta: Kommt ein schlanker Bursh gegangen (Annchen)

Track length4:18

$1.00

$1.30

Act II: Dialogue: Und der Bursch nicht minder schon! (Annchen, Agathe)

Track length0:44

$1.00

$1.30

Act II: Recitative: Wie nahte mir der Schlummer - Aria: Leise, leise, fromme Weise (Agathe)

Track length9:24

$2.00

$2.60

Act II: Dialogue: Mein Max! (Agathe, Max, Annchen)

Track length1:14

$1.00

$1.30

Act II: Trio: Wie? Was? Entsetzen! (Agathe, Annchen, Max)

Track length7:26

$2.00

$2.60

Act II: Milch des Mondes fiel aufs Kraut (Chorus)

Track length2:44

$1.00

$1.30

Act II: Samiel! Samiel! Erschein! (Kaspar, Samiel)

Track length2:32

$1.00

$1.30

Act II: Trefflich bedient … Hal - Furchtbar gannt der dustre Abgrund (Kaspar, Max)

Track length5:08

$1.00

$1.30

Act II: Hier bin ich (Max, Kaspar, Chorus, Samiel)

Track length6:22

$1.00

$1.30

Act III: Cavatina: Und ob die Wolke sich verhulle (Agathe)

Track length6:18

$1.00

$1.30

Act III: Agathe, ich glaube gar, du hast geweint? - Einst traumte meiner sel'gen Base (Annchen)

Track length7:37

$2.00

$2.60

Act III: Wir winden dir den Jungfern-Kranz (Annchen, Agathe)

Track length5:04

$1.00

$1.30

Act III: Was gleicht wohl auf Erden (Chorus)

Track length2:33

$1.00

$1.30

Act III: Dialogue: Genug der Freuden des Mahls, werte Freunde und Jagdgenossen (Ottokar, Kuno, Kaspar, Max, Agathe)

Track length1:05

$1.00

$1.30

Act III: Finale: Schaut, o schaut (Chorus, Agathe, Annchen, Kuno, Max, Kaspar, Ottokar)

Track length10:07

$3.00

$3.85

Act III: Finale: Wer legt auf ihn so strengen Bann (Eremit, Ottokar, Chorus, Max, Agathe, Annchen, Kuno)

Track length9:10

$2.00

$2.60

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Live 1972

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2010

Karl Böhm's Freischütz (1972) that has the natural ease of born kinship. His playing of the overture sets the tone with sounds that breathe the sunlit forests; the Wolf's Glen scene tilts these into the lurking horror that is the dark side of the opera's coin.
The cast also inhabit their parts as if born into them. Gundula Janowitz floats her tone with ravishing effect in Agathe's 'Leise, leise' and in the later prayer, 'Und ob die Wolke'. Renate Holm sparkles alongside her, deliciously sending up the song about the 'ghostly' dog. Karl Ridderbusch is the blackest of Caspars, sinister yet not without a hint of pathos in this selfdestroying soul. By the same token James King, much of whose career lay in German-speaking lands, has the heroic ring for Max but also the anxiety that has weakened his character. He earns the sonorous forgiveness of Franz Crass's Hermit. The smaller parts fit no less easily into this village community, Manfred Jungwirth making more than usual of Cuno.
There is a merry set of Bridesmaids, and Huntsmen who rejoice infectiously in the chase, though the Act 3 prelude anticipating their chorus is cut (so, reasonably, is a good deal of the dialogue). In the Wolf's Glen itself, there is too much in the way of shrieking winds and clattering hooves, when the music really does it all; but then this was a stage performance, and the scene meets with somewhat stunned applause. It never fails as a spine-chiller. Böhm handles everything beautifully, and unobtrusively, as if the work can be left to speak for itself, which of course is the art of real experience in the opera house. It is a most attractive performance. (The booklet excludes a text and translation.)

March 2008

Böhm handles everything beautifully, and unobtrusively, as if the work can be left to speak for itself, which of course is the art of real experience in the opera house.

Weber: Der Freischütz

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2 CDs

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