Heinz Zednik
Born: 21st February 1940, Vienna, Austria
Nationality: Austrian
Heinz Zednik is an Austrian operatic buffo tenor, closely associated with the character tenor roles of Wagner such as Mime and Loge (Der Ring des Nibelungen) and David (Die Meistersinger von Nürnberg). He is also distinguished in roles such as Valzacchi (Der Rosenkavalier), Monostatos (The Magic Flute), Pedrillo (Die Entführung aus dem Serail), the Scribe (Khovanshchina), the Captain in Wozzeck, and the Director (Luciano Berio's Un re in ascolto).
Zednik studied singing in Vienna before making his professional opera début in 1964 at Graz as Maestro Trabuco in La forza del destino. Shortly thereafter he was engaged by the Vienna State Opera where he remains a member to this day. He appeared at the Bayreuth Festival annually from 1970 through 1980, and was seen as the successor to Gerhard Stolze.
Read more at https://en.wikipedia.org/wiki/Heinz_Zednik
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Einem: Der Besuch der alten Dame (The Visit)
Chor und Orchester der Wiener Staatsoper, Horst Stein
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Frank Martin: Requiem; Leoš Janáček: Otčenáš (our Father)
Wiener Jeunesse Chor, ORF Vienna Radio Symphony Orchestra, ORF Chor, Leif Segerstam
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International Classical Music Awards, 2023, Nominated - Choral Music
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New. Strauss, R: Salome, Op. 54
Gerd Nienstedt (bass), Heljä Angervo (contralto), Kurt Rydl (bass), Wiesław Ochman (tenor), Helge von Bömches (bass), José van Dam (bass-baritone), Hildegard Behrens (soprano), Horst Nitsche (tenor), Agnes Baltsa (mezzo-soprano), Karl-Walter Böhm (tenor), David Knutson (tenor), Erich Kunz (baritone), Gerhard Unger (tenor), Heinz Zednik (tenor), Jules Bastin (bass), Martin Vantin (tenor), Dieter Ellenbeck (tenor), Wiener Philharmoniker, Herbert von Karajan
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Special offer. Wagner: Der Ring des Nibelungen
Donald McIntyre (Wotan), Gwyneth Jones (Brünnhilde), Peter Hofmann (Siegmund), Jeannine Altmeyer (Sieglinde/Gutrune), Matti Salminen (Hunding), Manfred Jung (Siegfried), Hanna Schwarz (Fricka), Hermann Becht (Alberich), Heinz Zednik (Mime), Fritz Hübner (Hagen) Bayreuth Festspiele, Pierre Boulez
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Grammy Awards, 25th Awards (1982), Best Opera Recording
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