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What Wilson doesn’t know about the inner workings of Coates’s methods isn’t worth knowing; and just as he has approximated the playing styles of American orchestras under the likes of Paul Weston... — More…
Awards:
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Presto Editor's Choice, September 2019
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Presto Recordings of the Year, Finalist 2019
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Dame Ethel Smyth: Mass in D & Overture to 'The Wreckers' RecommendedBBC Symphony Orchestra and Chorus, Sakari Oramo
Oramo rises to the work’s ambition with a fiercely committed, highly persuasive reading that indulges generosity of scale and imagination while pinpointing the Mass’s many felicities of detail.... — More…
Awards:
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Record Review, 5th October 2019, Disc of the Week
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Presto Recording of the Week, 4th October 2019
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Presto Recordings of the Year, Finalist 2019
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Her Voice: Piano Trios by Amy Beach, Louise Farrenc and Rebecca Clarke RecommendedPiano Trios
Neave Trio
Collectors may prefer all-Beach or all-Farrenc couplings but the Neave’s programme makes a splendid introduction to these three pioneering female composers. — More…
Awards:
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The New York Times, Recordings of the Year 2019
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Building A Library, January 2022, Featured Recording
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On this evidence, Haydn’s brand of roguish inventiveness materialised early…The recording finds a natural-sounding perspective for two very different kinds of sonority: the interaction of organ... — More…
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Brahms’s marking for the main portion of the opening movement of his First Symphony is a plain Allegro, but Edward Gardner takes it at an unusually swift tempo, keeping the drama buoyant and... — More…
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