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Haydn: Organ Concertos

Iain Quinn (organ)

Arcangelo, Jonathan Cohen

Haydn: Organ Concertos
On this evidence, Haydn’s brand of roguish inventiveness materialised early…The recording finds a natural-sounding perspective for two very different kinds of sonority: the interaction of organ...

Haydn: Organ Concertos

Iain Quinn (organ)

Arcangelo, Jonathan Cohen

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On this evidence, Haydn’s brand of roguish inventiveness materialised early…The recording finds a natural-sounding perspective for two very different kinds of sonority: the interaction of organ...

About

Iain Quinn is joined by Arcangelo and Jonathan Cohen in this recording of organ concertos by Haydn, recorded on the Grant, Degens and Bradbeer organ of St Mary’s, Woodford. Born in Cardiff, Wales, Dr. Iain Quinn is an award-winning organist, musicologist, and composer with over ninety publications across multiple disciplines. He is Associate Professor of Organ and Coordinator of Sacred Music at Florida State University. He has received a Fellowship from the Winston Churchill Memorial Trust and grants from Musica Britannica, Society for American Music, The Prince's Trust, and the Music & Letters Trust. He has been a Visiting Fellow at Harvard University and a Visiting Composer at Gonville and Caius College, Cambridge. As a composer he has received commissions from churches across the USA and UK and from the American Guild of Organists. In 2017, he was a Fulbright Scholar teaching at The Rimsky-Korsakov St. Petersburg State Conservatory, Russia and in 2018 he was the Rudolph Ganz Fellow at The Newberry Library, Chicago.

Contents and tracklist

1: I. Moderato
Track length8:05
1: II. Largo
Track length7:46
1: III. Allegro molto
Track length7:56
6: I. Allegro moderato
Track length7:24
6: II. Largo
Track length8:48
6: III. Presto
Track length3:57
2: I. Allegro moderato
Track length9:36
2: II. Adagio molto
Track length9:30
2: III. Allegro
Track length6:35
10: I. Moderato
Track length6:48
10: II. Adagio
Track length2:54
10: III. Allegro
Track length3:02

Spotlight on this release

Awards and reviews

December 2019

On this evidence, Haydn’s brand of roguish inventiveness materialised early…The recording finds a natural-sounding perspective for two very different kinds of sonority: the interaction of organ and strings works well, as they both do in relation to Sophie Gent’s violin-playing.

Awards Issue 2019

These cheery works are Haydn’s earliest concertos…Iain Quinn is both spirited and elegant, and nicely matches Sophie Gent’s clean, direct style in the F major Concerto…These are thoroughly enjoyable, glowingly recorded performances of music that offers limited scope for ‘interpretation’.

October 2019

these are thoroughly enjoyable, glowingly recorded performances of music that offers limited scope for ‘interpretation’

12th July 2020

Already his innovative style marks him out as a singular genius, and Quinn’s urbane performances of the C and D major solo concertos, joined by Gent in the F major double concerto, are stylishly accompanied by Cohen’s period band.
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