Aeon
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Dusapin: Quatuor VI Hinterland & Quator VII OpenTime
Arditti Quartet, Orchestre Philharmonique de Radio France
Both pieces reaffirm Dusapin’s quartet cycle as among the most significant now emerging. — More…
Awards:
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The Times Records of the Year, 2017
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Gramophone Awards, 2018, Winner - Contemporary
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This performance [of the Obrecht] is so well judged that it positively invites repeated listening...[Diabolus in Musica's] sound is quite distinctive; grainy, but not obtrusively so. — More…
Awards:
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Gramophone Magazine, January 2013, Editor's Choice
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Wolfgang Rihm has always acknowledged the importance of Luigi Nono’s music in the development of his own style. That influence comes across strikingly in this serenely beautiful sequence of... — More…
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Beethoven: The Late String Quartets, Opp. 127 & 131
Brentano String Quartet: Mark Steinberg, Serena Canin (violins), Misha Amory (viola) & Nina Maria Lee (cello)
What is so satisfying about these performances recorded at Princeton University is the overall warmth of the playing, with speeds ideally chosen and never forced, with natural rubato and shading,... — More…
Awards:
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Gramophone Magazine, March 2012, Editor's Choice
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Mahler & Wagner - Lieder
Transcribed for chamber ensemble by Christian Favre
Dame Felicity Lott (soprano)
Quatuor Schumann
What a revelation this disc actually turns out to be. Lott's voice brings wonderful subtlety and intensity to the music, Isolde's death scene in particular. — More…
Awards:
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Gramophone Magazine, July 2008, Editor's Choice
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Grieg: Peer Gynt
Alex Jennings, Haydn Gwynne, Derek Jacobi, Dietrich Henschel, Inger Dam-Jensen, Sophie Koch
Ensemble vocal le Motet de Genève & Orchestre de la Suisse Romande, Guillaume Tourniaire
the best complete version of Grieg’s theatre music… Tourniaire has intuited and delivered a true Grieg style from his orchestra, alert, light, swift but not afraid to punch home the ironies... — More…
2 CDs
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The Ensemble’s mellifluous, even sinuous performances strongly evoke the self-conscious artfulness of Machaut’s poetry and music. The effect is overwhelming in the best possible sense — More…
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The expressive badinage between players, the enthusiastic rough and tumble in the opening Allegro with just a smidgen of tonal darkening for the second subject, not to mention the occasional... — More…
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this First Quartet is approachable and fascinating...[the Second] is quintessential Gerhard...This is a fine disc, superbly played and well worth purchasing but I suspect that a little prior... — More…
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