Choral, Piccinini (composer)
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Kenny lacks neither extensive playing experience in chamber, orchestral or operatic contexts nor a brilliant musical imagination. She brings both to bear on these performances of ‘old and new... —
Awards:
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BBC Music Magazine Awards, 2020, Finalist - Instrumental
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Heroines of Love and Loss
vocal chamber music from the 17th century
Ruby Hughes (soprano), Mime Yamahiro Brinkmann (cello) & Jonas Nordberg (lute / theorbo / archlute)
Ruby Hughes’s soprano has an effortless beauty: pliant, subtly expressive, never forced. She captures the chaste fervour of the sacred works…Brinkmann and Nordberg proffer aptly spontaneous... —
Awards:
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Gramophone Magazine, May 2017, Editor's Choice
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Awards:
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International Classical Music Awards, 2022, Nominated - Baroque Vocal
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La bella piu bella
Songs from early baroque Italy
Roberta Invernizzi (soprano) & Craig Marchitelli (archlute & theorbo)
This is vocal writing that thrives on extremes: complex, emphatic, dissonant and brilliantly embellished...Invernizzi is a fearless singer. Some notes are stripped violently dry and thin, others... —
Awards:
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Gramophone Magazine, June 2014, Editor's Choice
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Glorious music, gloriously performed —
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2 CDs
$17.75 -
Special offer. Monteverdi: Messa a quattro voci et salmi of 1650
Volume II
The Sixteen, Harry Christophers
Christophers tells us that the basic approach here is to allow the performers to ‘speak through singing’, and to treat the changes of time and metre ‘intuitively’ rather than with scholarly... —
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The clutch of Spanish songs is enthralling...Despite the machine having so many intricate moving parts, there is enjoyable coherence to the broader ebb and flow of this imaginative programme —
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Special offer. José Lemos: Io Vidi in Terra
Jose Lemos (countertenor), Jory Vinikour (harpsichord) & Deborah Fox (theorbo)
Countertenor José Lemos’ rich voice ravishes the ear in luscious numbers such as Monteverdi’s ‘Se dolce è’l tormento’; he’s not unagile vocally, either, and handles later, more ornate works... —
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