Martin Haselböck
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there is plenty to enjoy here, with just tempos, mainly crisp articulation and a thoughtful approach to style. —
Awards:
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International Classical Music Awards, 2022, Nominated - Baroque Instrumental
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Porpora: Il Gedeone
Kai Wessel, Ulf Baestlein, Linda Perillo, Henning Voss, Joerg Waschinski & Johannes Chum
Nova Vocal Ensemble & Wiener Akademie, Martin Haselböck
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Beethoven The Six Piano Concertos
Gottlieb Wallisch (fortepiano), Orchester Wiener Akademie, Martin Haselböck
Wallisch proves an exceptional Beethoven interpreter, his playing wonderfully nuanced and thought-through … His rapport with Haselböck and the orchestra is tangible throughout and these insightful... —
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Johann von Herbeck: Symphony No. 4 & Symphonic Variations
Irenee Peyrot (organ)
Hamburg Symphony Orchestra, Martin Haselbock
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Liszt: Tasso. Lamento E Trionfo & Le Triomphe Funèbre du Tasse
Orchester Wiener Akademie, Martin Haselböck
Period performances of real interest: Liszt's scoring sounds more focused than on modern instruments. The octane-level of the playing varies (like the music itself). —
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Johann Gottlieb Graun - Concertos
Ilja Korol (violin), Daniel Sepec (violin), Vittorio Ghielmi (viola da gamba)
Wiener Akademie, Martin Haselböck
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Haselbock's approach brings with it varieties of tonal colouring that anyone interested in this perenially delightful music will appreciate hearing. Excellent sound, by the way. —
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Haselböck draws from his period instrumentalists a performance that is as sonically satisfying as it is vital and well-proportioned…a most absorbing disc —