Liszt: Les Préludes, Orpheus & Mountain Symphony
Orchester Wiener Akadamie, Martin Haselböck
The second installment of Martin Haselböck's Liszt series moves the cursor across three contrasting tone-poems, Les preludes in particularly emerging with sound perspectives that are quite unlike...
Liszt: Les Préludes, Orpheus & Mountain Symphony
Orchester Wiener Akadamie, Martin Haselböck
Purchase product
The second installment of Martin Haselböck's Liszt series moves the cursor across three contrasting tone-poems, Les preludes in particularly emerging with sound perspectives that are quite unlike...
About
This is the second CD in the series “Liszt: The Sound of Weimar” being performed by the Vienna Academy Orchestra under the Austrian conductor Martin Haselböck and released by NCA as part of the celebrations to mark the 200th anniversary of the composer’s birth. Liszt wrote 13 symphonic poems in all, and those featured here are No. 3 - “Les Preludes”, No. 4 - “Orpheus”, and No. 1 - “Berg-Symphonie”. As with the previous disc the music on this volume is performed on original instruments of the 19th century.
The orchestral project “The Sound of Weimar” will include all the orchestral works of Franz Liszt in the original orchestration of the live premieres in Weimar. The recordings are taking place at the Austrian Liszt Raiding Centre, and will all be made at performances in seven concerts during 2011 and 2012 by the Vienna Academy Orchestra under the direction of the renowned Austrian conductor Martin Haselböck. He is the musical director of Musica Angelica in Santa Monica, California, and the director and founder of the Vienna Academy Orchestra. He is also a professor at the University of Vienna, where he teaches organ.
Contents and tracklist
- Vienna Academy Orchestra
- Martin Haselböck
- Vienna Academy Orchestra
- Martin Haselböck
- Vienna Academy Orchestra
- Martin Haselböck
Awards and reviews
January 2012
The second installment of Martin Haselböck's Liszt series moves the cursor across three contrasting tone-poems, Les preludes in particularly emerging with sound perspectives that are quite unlike the norm...Haselböck's liberated textures open up new listening horizons that all lovers of this fine but still underrated music should investigate.
