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The Sound of Weimar
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Liszt: Tasso. Lamento E Trionfo & Le Triomphe Funèbre du Tasse
Orchester Wiener Akademie, Martin Haselböck
Period performances of real interest: Liszt's scoring sounds more focused than on modern instruments. The octane-level of the playing varies (like the music itself). —
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From the Cradle to the Grave sounds hauntingly beautiful —
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The second installment of Martin Haselböck's Liszt series moves the cursor across three contrasting tone-poems, Les preludes in particularly emerging with sound perspectives that are quite unlike... —
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Liszt: Dante Symphony & Évocation à La Chapelle Sixtine
Orchester Wiener Akademie & Women singers from Chorus Sine Nomine, Martin Haselböck
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