The [Goldberg] Aria sings without affectation as if to emphasise that what follows isn't about the theme but what happens to it...Unstarchy too is Levit's approach to Beethoven's Diabelli Variations...As... — BBC Music Magazine, January 2016, More…

Melnikov works wonders with his 1828 Graff piano, managing to make it less clattery and more piano-like than in most other fortepiano recordings. — BBC Music Magazine, April 2014, More…

This set contains of the finest Beethoven performances you are likely to hear. Steven Isserlis is on blazing form: every note lives, every movement is characterised with infectious relish; his... — BBC Music Magazine, January 2014, More…

All but one of these performances are exceptional, even by Kissin’s stratospheric standards, the odd one out being the Moonlight Sonata…But the most extraordinary track is that of the 32 Variations.... — BBC Music Magazine, Christmas 2017, More…

Never for a moment does she over-reach herself or force pace and sonority...Few pianists have ever been more true to their own lights and it is hardly surprising that her many performances of... — Gramophone Magazine, October 2014 More…

This is a remarkable account of Beethoven’s Missa solemnis and, in one important respect, an unusual one. For though it is in no sense lacking in drama, it is in essence a deeply devotional reading...Harnoncourt’s... — Gramophone Magazine, August 2016 More…

These performances are intensely alive and immensely invigorating. — BBC Music Magazine, July 2016, More…

Andsnes's view of the Emperor Concerto's slow movement may strike some listeners as less contemplative and poetic than usual, and it may be that his interpretation of the piece will deepend over... — BBC Music Magazine, March 2015, More…

As far as I’m aware this is the first and only recording of these works on ‘period’ instruments - using gut strings and early nineteenth-century bows, whilst employing a more limited use of vibrato... — Chris O'Reilly, Presto Classical, 15th December 2017 More…

Pollini is not a pianist with a sense of humour, but his playing has a trim, classical cut with plenty of vitality, and a blunt, brusque Beethoven also bursts through from time to time. — Financial Times, 22nd November 2014, More…