Gyula Orendt
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Special offer. George Benjamin: Lessons in Love and Violence
RecommendedStéphane Degout (King), Barbara Hannigan (Isabel), Gyula Orendt (Gaveston/Stranger), Peter Hoare (Mortimer), Samuel Boden (Boy/Young King)
Orchestra of the Royal Opera House, George Benjamin
The singing—and the orchestra, conducted by the composer himself—is flawless...powerful singing and a balanced execution of sound give voice to a dramatic libretto and an arresting score, making... —
Awards:
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Limelight Magazine Recordings of the Year, 2019, Nominated - Opera
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Grammy Awards, 62nd Awards (2019), Nominee - Best Opera Recording
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Special offer. George Benjamin: Lessons in Love and Violence
RecommendedStéphane Degout (King), Barbara Hannigan (Isabel), Gyula Orendt (Gaveston/Stranger), Peter Hoare (Mortimer), Samuel Boden (Boy/Young King)
Orchestra of The Royal Opera House, George Benjamin, Katie Mitchell
His orchestral imagination is prodigious, and both as a composer and conductor he conjures up memorable soundscapes full of jittery tension…the entire cast seems convinced it is creating something... —
Awards:
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Presto Recording of the Week, 28th December 2018
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Diapason d’Or, May 2019
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Presto Recordings of the Year, Finalist 2019
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Special offer. George Benjamin: Lessons in Love and Violence
RecommendedStéphane Degout (King), Barbara Hannigan (Isabel), Gyula Orendt (Gaveston/Stranger), Peter Hoare (Mortimer), Samuel Boden (Boy/Young King)
Orchestra of The Royal Opera House, George Benjamin, Katie Mitchell
His orchestral imagination is prodigious, and both as a composer and conductor he conjures up memorable soundscapes full of jittery tension…the entire cast seems convinced it is creating something... —
Awards:
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Presto Recording of the Week, 28th December 2018
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Diapason d’Or, May 2019
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Presto Recordings of the Year, Finalist 2019
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Weinberg: The Passenger
Amanda Majeski (Marta), Daveda Karanas (Lisa), Nikolai Schukoff (Walter), Gyula Orendt/Stephen Waarts (Tadeusz); Orquesta del Teatro Real de Madrid, Mirga Gražinytė-Tyla
Gražinytė-Tyla has an in-depth understanding of Weinberg’s music and creates a very powerful interpretation, leading a huge ensemble with a very strong cast...Before you listen to this recording,... —
Awards:
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Gramophone Magazine, April 2025, Editor's Choice
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Handel: Theodora
RecommendedJulia Bullock (Theodora), Joyce DiDonato (Irene), Jakub Józef Orliński (Didymus), Ed Lyon (Septimius), Gyula Orendt (Valens), The Orchestra of the Royal Opera House, Royal Opera Chorus, Katie Mitchell, Harry Bicket
Bullock’s Theodora is a compelling and passionate tour de force, even if the characterisations and moods of her music are dictated to by the director’s hamstrung concept. Joyce DiDonato’s Irene... —
Awards:
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Presto Recordings of the Year, Finalist 2023, Shortlisted - DVD/Blu-ray of the Year
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International Classical Music Awards, 2024, Nominated - Video Opera
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Handel: Theodora
RecommendedJulia Bullock (Theodora), Joyce DiDonato (Irene), Jakub Józef Orliński (Didymus), Ed Lyon (Septimius), Gyula Orendt (Valens), The Orchestra of the Royal Opera House, Royal Opera Chorus, Katie Mitchell, Harry Bicket
Bullock’s Theodora is a compelling and passionate tour de force, even if the characterisations and moods of her music are dictated to by the director’s hamstrung concept. Joyce DiDonato’s Irene... —
Awards:
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Presto Recordings of the Year, Finalist 2023, Shortlisted - DVD/Blu-ray of the Year
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International Classical Music Awards, 2024, Nominated - Video Opera
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Schoenberg: Jacob's Ladder
Wolfgang Koch (bass-baritone), Daniel Behle (tenor), Wolfgang Ablinger-Sperrhacke (tenor), Johannes Martin Kränzle (bass-baritone), Gyula Orendt (baritone), Stephan Rügamer (tenor), Nicola Beller Carbone, Liv Redpath, Berliner Philharmoniker, Rundfunkchor Berlin, Kirill Petrenko
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Purchase product
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Cavalieri: Rappresentazione di Anima e di Corpo
Marie-Claude Chappuis (Anima), Johannes Weisser (Corpo), Gyula Orendt (Tempo, Consiglio), Mark Milhofer (Inteletto, Piacere), Marcos Fink (Mondo, Secondo Compagno di Piacere, Anima dannata)
Staatsopernchor, Concerto vocale, Akademie für Alte Musik Berlin, René Jacobs
this is an extravagant and embellished view of the original score, at times almost Romantic with its opulent orchestral palette and lush choral singing...Jacobs and his superb musicians produce... —
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