Browse: Anna Fedorova (piano)

Bringing these hugely talented musicians together results in some exceptionally insightful playing. Furthermore, the way this enormously eclectic recital is arranged has an immediacy that replicates... — BBC Music Magazine, January 2024, 4 out of 5 stars (Performance) / 5 out of 5 stars (Recording) More…

That Anna Fedorova has a special feeling for this work is not only evident in her introductory essay in the booklet...Pitrenas is fully sympathetic with Fedorova's approach, taking time to relish... — BBC Music Magazine, June 2020, 5 out of 5 stars (Performance) / 4 out of 5 stars (Recording) More…

Fedorova’s Chopin is unfailingly sensitive, poetic and tasteful, the phrases flexibly shaped even when the technical going gets tough. In Liszt and Scriabin, too, she never forces her tone and... — Gramophone Magazine, February 2020 More…

The program is very well designed, with plenty of contrast and a continual pleasure to listen to. Fedorova has the musical sensibilities and technical control to balance not only the melody and... — Fanfare, May/June 2022 More…

the clear thinking and feeling behind these Rachmaninov concerto interpretations are refreshing indeed: this certainly isn’t just yet another ‘Rach 2’. Fedorova’s commanding contrast of spaciousness... — BBC Music Magazine, November 2022, 5 out of 5 stars (Performance) / 4 out of 5 stars (Recording) More…

Fedorova has been playing Chopin’s Fantaisie for years, and it shows; her excellent performance proves to be the disc’s high point. The pianist’s well-integrated tempo relationships between sections... — Gramophone Magazine, November 2018 More…

The performances of this music serve to present it very well indeed. I hear nothing but first-class musicianship from each person involved. Mikhail Zemtsov, son of the composer, wrote the informative... — Fanfare, Jan/Feb 2022 More…

[Fedorova] specially captivating in the veiled quality to her tone with which she launches Clair de lune and the sensitive longing of Beau soir. Her rhythmic sense is best displayed in the Werkman... — The Strad More…