Classical Reviews
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Wranitzky Symphonies from Akademie für Alte Musik Berlin
17th Jun 2022by Katherine Cooper
Bernhard Forck leads Akamus in a spirited showcase of the Moravian-born composer’s gifts as an orchestrator, featuring the overture to Oberon, the ‘Grande Symphonie caractéristique pour la Paix avec la République francaise’, and the ‘Tempest’ Symphony.
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Marc-André Hamelin performs William Bolcom's complete piano rags
10th Jun 2022by David Smith
The Canadian pianist brings the 1960s' great ragtime revival into the present with a new recording of the complete rags of one of its leading lights.
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John Williams conducts Anne-Sophie Mutter in his new Violin Concerto
3rd Jun 2022by James Longstaffe
John Williams continues his collaboration with violinist Anne-Sophie Mutter, joining forces with the Boston Symphony Orchestra for the world premiere recording of his Violin Concerto No. 2.
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Sopranista from Samuel Mariño
27th May 2022by Katherine Cooper
The young Venezuelan's silvery timbre and stratospheric high notes provide thrills aplenty in arias by Mozart, Saint-Georges, Cimarosa and Gluck - most of them composed for soprano castratos.
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Ravel Piano Concertos from François-Xavier Roth and Les Siècles
20th May 2022by David Smith
Les Siècles continue their successful series of Ravel recordings on period instruments under François-Xavier Roth, with Cédric Tiberghien at the piano and baritone Stéphane Degout.
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Brahms Quintets from the Pavel Haas Quartet and friends
13th May 2022by James Longstaffe
Three years on from their previous album, the Pavel Haas Quartet make a triumphant recorded return with two quintets by Brahms, for which they are joined by pianist Boris Giltburg and violist Pavel Nikl.
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Farewells from Jakub Józef Orliński & Michał Biel
6th May 2022by Katherine Cooper
The Polish countertenor and pianist fly the flag for their native country in a beguiling recital of songs by Karel Szymanowski, Henryk Czyż, Stanisław Moniuszko, Mieczysław Karłowicz, and Tadeusz Baird.
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Weber's Der Freischütz from René Jacobs
29th Apr 2022by Katherine Cooper
The Belgian conductor's restoration of the original libretto's prologue lends a wonderful symmetry and coherence to Weber's supernatural Singspiel, whilst German actor Max Urlacher is properly spine-chilling in the expanded role of the demon Samiel.
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Weber: Der Freischütz
Maximilian Schmitt (Max), Polina Pasztircsák (Agathe), Kateryna Kasper (Ännchen), Dimitry Ivashchenko (Kaspar), Yannick Debus (Kilian), Matthias Winckhler (Kuno), Christian Immler (Hermit), Max Urlacher (Samiel) Freiburger Barockorchester, Zürcher Sing-Akademie, René Jacobs
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Olga Neuwirth's Orlando
22nd Apr 2022by Katherine Cooper
The Austrian composer's Virginia Woolf-inspired opera delights in blurring boundaries of all kinds, with an astonishing central performance from mezzo Kate Lindsey in the shape-shifting title-role.
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Neuwirth: Orlando (DVD)
Kate Lindsey (Orlando), Anna Clementi (Narrator), Eric Jurenas (Guardian Angel), Justin Vivian Bond (Orlando’s Child), Leigh Melrose (Greene/Shelmerdine), Constance Hauman (Queen/Purity/Friend of Orlando’s Child), Agneta Eichenholz (Sasha/Chastity) Wiener Staatsoper, Matthias Pintscher, Polly Graham
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Bach's St Matthew Passion from Raphaël Pichon
15th Apr 2022by David Smith
Raphaël Pichon and his Pygmalion ensemble present a vision of Bach's masterwork that aims for clarity and immediacy over exhaustingly intense theatrics.
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JS Bach: Matthäus-Passion
Julian Prégardien (Evangelist), Stéphane Degout (Christus), Sabine Devieilhe & Hana Blažiková (sopranos), Lucile Richardot (mezzo), Tim Mead (countertenor), Reinoud Van Mechelen & Emiliano Gonzalez Toro (tenors), Christian Immler (bass-baritone) Pygmalion, Raphaël Pichon
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Franco-Italian recitals from Benjamin Bernheim and Pene Pati
8th Apr 2022by Katherine Cooper
Bernheim traces the history of Italian composers in Paris with his customary elegance and eloquence, whilst Pati's equally impressive debut on Warner reveals a voice of immense character and versatility.
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Johan Dalene performs violin concertos by Nielsen & Sibelius
1st Apr 2022by James Longstaffe
The Swedish violinist offers a characterful performance of Sibelius's concerto alongside a virtuosic account of the piece that swept him to victory at the 2019 Carl Nielsen International Violin Competition.
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Beethoven violin sonatas from Rachel Podger and Christopher Glynn
25th Mar 2022by David Smith
Three snapshots from the beginning, middle and end of Beethoven's career trace his development of the violin sonata form from its Classical roots into new directions.
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Ruth Slenczynska and a Life in Music
18th Mar 2022by David Smith
The pianist's return to the recording studio at the age of 97 offers us a bridge to the bygone era of composers and virtuosos who shaped her career.
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Pélleas et Mélisande from François-Xavier Roth and Les Siėcles
11th Mar 2022by Katherine Cooper
Period instruments provide revelations aplenty in Debussy's opera - and the central love-triangle is cast in an intriguing new light...
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Dance With Me from LUDWIG Orchestra and Barbara Hannigan
4th Mar 2022by Katherine Cooper
An ensemble drawn from the Netherlands-based chamber orchestra have a ball with a selection of twentieth-century dances, taking in music by Elgar, Kurt Weill, Glenn Miller and Barry Manilow along the way...
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Joyce DiDonato's EDEN
25th Feb 2022by Katherine Cooper
Featuring music by composers including Ives, Cavalli, Handel, Gluck and Wagner (plus a ravishing new commission by Rachel Portman), the American mezzo's eclectic new concept-album with Il Pomo d'Oro explores our relationship with 'the grammar of the earth'.
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Weinberg solo violin sonatas from Gidon Kremer
18th Feb 2022by David Smith
The Latvian violinist celebrates his 75th birthday with impassioned recordings of Weinberg's three sonatas for solo violin.
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Andris Nelsons completes his Bruckner cycle with the Gewandhausorchester
11th Feb 2022by James Longstaffe
The Latvian conductor and his Leipzig ensemble complete their cycle of Bruckner symphonies with radiant, dramatic performances of Symphonies 1 and 5.
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New choral music from Iceland and England
4th Feb 2022by David Smith
A double-bill of contemporary works for choir - Icelandic splendour from Graham Ross and the choir of Clare College, and Westminster commissions from Dove, Weir and Martin.