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Mieczyslaw Weinberg: Sonatas For Violin Solo

Gidon Kremer (violin)

Mieczyslaw Weinberg: Sonatas For Violin Solo

Awards:

Kremer’s marvellous recording of the Third Sonata for ECM resurfaces here alongside its newly engineered companions which needless to say receive strongly committed and viscerally exciting performances....

Mieczyslaw Weinberg: Sonatas For Violin Solo

Gidon Kremer (violin)

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This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit

Awards:

Kremer’s marvellous recording of the Third Sonata for ECM resurfaces here alongside its newly engineered companions which needless to say receive strongly committed and viscerally exciting performances....

About

The three sonatas of Polish composer Mieczyslaw Weinberg, written in 1964, 1967 and 1979, are among the most richly creative and technically challenging 20th century works for solo violin, and their radical expressivity draws the listener in. Gidon Kremer, a key figure in the revival of interest in Weinberg's music, ranks these pieces with the Bartk sonata for their challenges and rewards.

As he has said, "I am very pleased that the world is slowly recognising Mieczyslaw Weinberg as an important composer. For me personally, the treasure trove of his compositions remains a constant source of enthusiasm and inspiration." Recorded at the Lockenhaus Chamber Music festival and at Studio Residence Palesius, Lithuania, this edition of the Weinberg violin sonatas is issued on the occasion of Kremer's 75th birthday.

Gidon Kremer: violin

Contents and tracklist

I. Monody
Track length1:28
II. Rests
Track length1:44
III. Intervals
Track length1:58
IV. Replies
Track length2:17
V. Accompaniment
Track length2:41
VI. Invocation
Track length3:47
VII. Syncopes
Track length3:23
I. Adagio-Allegro
Track length5:29
II. Andante
Track length5:37
III. Allegretto
Track length3:46
IV. Lento
Track length5:05
V. Presto
Track length5:42

Spotlight on this release

Awards and reviews

  • Presto Recording of the Week
    18th February 2022
  • International Classical Music Awards
    2023
    Nominated - Solo Instrument

April 2022

Kremer’s marvellous recording of the Third Sonata for ECM resurfaces here alongside its newly engineered companions which needless to say receive strongly committed and viscerally exciting performances. Even for Weinberg aficionados, it’s probably advisable, however, to hear these thorny works separately to maximise their impact.

May 2022

this release – in sound of spaciousness and clarity, with booklet notes providing much food for thought – is a definite first choice for these outstanding pieces.

18th February 2022

At times, the music seems to draw its power and energy not so much from the notes themselves as from Kremer’s audibly impassioned engagement with his instrument – heavy, dug-in bowing (including some forceful double-stopping), and a generally vibrato-free sound with nothing of the refined or comfortable about it.
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