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Mozart - Piano Concerto No. 23 in A major, K488
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Mozart Momentum - 1786
Leif Ove Andsnes (piano/director), Mahler Chamber Orchestra, Christiane Karg (soprano), Matthew Truscott (violin), Joel Hunter (viola), Frank-Michael Guthmann (cello)
Awards:
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Gramophone Awards, 2022, Finalist - Concerto
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Gramophone Awards, 2022, Special Achievement Award
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International Classical Music Awards, 2023, Nominated - Assorted Programs
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Gramophone Magazine, Critics' Choice 2022
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Mozart - The Great Piano Concertos, Volume 1
RecommendedAlfred Brendel (piano)
Academy of St Martin in the Fields, Neville Marriner
Awards:
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Building a Library, March 2013, CD Choice
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Penguin Guide, Rosette
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Mozart: The Symphonies
The Beginning & The End
Il Pomo d'Oro, Maxim Emelyanychev (fortepiano/director)
Il Pomo d’Oro’s period style and approach suits a work which, like this one [Symphony No. 1], perches on the cusp between the Baroque and Classical eras...Given the underlying premise, the orchestral... —
Awards:
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Opus Klassik Awards, 2023, Nominated - Conductor of the Year & Young Talent
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International Classical Music Awards, 2024, Nominated - Assorted Programs
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Mozart: Piano Concerto No. 23 & Rachmaninoff: Piano Concerto No. 3
RecommendedGrigory Sokolov (piano), Mahler Chamber Orchestra, BBC Philharmonic Orchestra, Trevor Pinnock, Yan Pascal Tortelier
Sokolov is now on a don't-touch-me pinnacle...the two concertos here present the zenith of his art. An ideal partnership with the Mahler Chamber Orchestra under Trevor Pinnock's direction performing... —
Awards:
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Presto Recording of the Week, 10th March 2017
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BBC Music Magazine, June 2017, Concerto Choice
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Presto Recordings of the Year, Finalist 2017
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2 Vinyl Records
$46.50 -
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Mozart - Piano Concertos Nos. 23 & 24
RecommendedMitsuko Uchida (piano and conductor)
Cleveland Orchestra
In the great C minor Concerto, K491, the opening tutti rages with all the ferocity of middle-period Beethoven, and when the piano enters it is pleading, fragile. …I found the last [movement]... —
Awards:
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Gramophone Magazine, December 2009, Editor's Choice
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Grammy Awards, 53rd Awards (2010), Best Classical Instrumental Solo Recording
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Downloads
Audio formats guide -
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Special offer. Mozart: Piano Concertos K. 459 & 488
Freiburger Barockorchester, Kristian Bezuidenhout (fortepiano/conductor)
From the very first notes, it’s clear this latest Mozart recording from Bezuidenhout is something special – from the buoyant strings to the delightful ping of the fortepiano, based on an 1805... —
Awards:
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Gramophone Magazine, January 2025, Editor's Choice
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Arthur Rubinstein plays Great Piano Concertos
RecommendedArthur Rubinstein (piano)
RCA Victor Orchestra, London Philharmonic Orchestra, New Symphony Orchestra of London, Symphony of the Air, Boston Symphony Orchestra, Philadelphia Orchestra, Chicago Symphony Orchestra, Los Angeles Philharmonic, Alfred Wallenstein, Josef Krips, Daniel Barenboim, Stanislaw...
Awards:
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Grammy Awards, 6th Awards (1963), Best Classical Instrumental Solo Recording
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Grammy Awards, 15th Awards (1972), Best Classical Instrumental Solo Recording
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Grammy Awards, 19th Awards (1976), Best Classical Instrumental Solo Recording
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Grammy Awards, 19th Awards (1976), Classical Album of the Year
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Downloads
Audio formats guide -
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Mozart concertos from the keyboard are unbeatable. There's a rightness, an effortlessness, about doing them this way that makes for heightened enjoyment. So many of them seem to gain in vividness... —
Awards:
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Gramophone Awards, 1984, Winner - Concerto
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Penguin Guide, Rosette
Purchase product
Downloads
Audio formats guide -
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Special offer. Mozart: Piano Concertos Nos. 9 & 23
Northern Sinfonia, Imogen Cooper (piano and director)
Imogen Cooper's strongly projected, stylistically sensitive performance stands up even alongside such distinguished modern versions as Uchida, Brendel and Schiff. With crystalline articulation... —
Awards:
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Gramophone Magazine, December 2006, Editor's Choice
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Mozart: Piano Concertos Nos. 20 & 23
Charles Richard-Hamelin (piano), Les Violons du Roy, Jonathan Cohen
He shapes and phrases the music with a keen eye (or ear) on its dialogic potential, driving forwards energetically without bullying or indulging in display for its own sake. —
Awards:
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Gramophone Magazine, December 2023, Editor's Choice
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