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Scriabin - Preludes (4), Op. 22
Genres:
Instrumental » Piano Solos » Preludes
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There’s no shortage of fine Scriabin recordings, so Igor Gryshyn offers something off the beaten track...It’s not just a case of bringing the music of a fellow Ukrainian to a wider audience;... —
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Lane certainly knows how to tease out the music’s textural subtleties; his emotional commitment is undeniable, as is his grasp of the poetic/virtuosic dichotomy inherent in Scriabin’s music —
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$12.75 -
Scriabin: 150th Anniversary – Piano Works
Vladimir Sofronitsky, Sviatoslav Richter (piano), Samuel Feinberg (piano), Heinrich Neuhaus, Emil Gilels (piano), Alexander Goldenweiser, Alexander Scriabin
This is a fascinating sequence, as valuable for its musical comprehensiveness as for the opportunity it grants to hear just how differing tonal shades can alter the effect that this supreme... —
Awards:
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Gramophone Magazine, August 2022, Reissue/Archive of the Month
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International Classical Music Awards, 2023, Nominated - Historical
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Fergus-Thompson’s Scriabin charts the composer’s stylistic journey with an all-encompassing palette both pellucid and full-blooded. —
Awards:
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Building A Library, February 2022, Also Recommended
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Not since Gordon Fergus-Thompson’s outstanding Scriabin series for ASV has the other-worldly, deeply sensual aspects of this extraordinary music been brought so alluringly to life —
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Obsessive patterns, harmonies and intervals seem to spin in interstellar space… This is an invaluable issue and a formidable achievement finely recorded. —
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Audio formats guide -
Rarities of Piano Music at the Husum Festival 2003
Jonathan Plowright (piano), Marie-Catherine Girod (piano), Arturo Sudbrack Jamardo (piano), Fredrik Ullén (piano), Andrea Bacchetti (piano), Elena Kuschnerova (piano)
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…the playing is lively, full of character and colour, with an admirable range of touch… I find Arodaky often creates a greater sense of poetry in the individual numbers than Piers Lane in his... —
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It’s a tribute both to Scriabin and his interpreter Daniel Pereira that we are not bored, despite the consistency of the compositional voice… the pleasure of this collection lies in how Scriabin... —
