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Special offer. Scriabin: Preludes, Vol. 2

Evgeny Zarafiants (piano)

Scriabin: Preludes, Vol. 2
Naxos has turned up trumps with the little-known Russian Evgeny Zarafiants. Rhythmically subtle (and continually supple), tonally expansive and dramatically wide-ranging, he plays this music...

Special offer. Scriabin: Preludes, Vol. 2

Evgeny Zarafiants (piano)

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Naxos has turned up trumps with the little-known Russian Evgeny Zarafiants. Rhythmically subtle (and continually supple), tonally expansive and dramatically wide-ranging, he plays this music...

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Contents and tracklist

I. Prelude No. 1 in G sharp minor: Andante
Track length2:00
II. Prelude No. 2 in C sharp minor: Andante
Track length0:57
III. Prelude No. 3 in B major: Allegretto
Track length1:06
IV. Prelude No. 4 in B minor: Andantino
Track length1:01
I. Prelude No. 1 in G minor: Patetico
Track length2:12
II. Prelude No. 2 in B major: Andante
Track length1:12
I. Prelude No. 1 in D flat major / C major
Track length2:35
II. Prelude No. 2 in F minor
Track length0:53
III. Prelude No. 3 in E flat major
Track length0:43
IV. Prelude No. 4 in C major
Track length1:16
I. Prelude No. 1 in E major
Track length1:14
II. Prelude No. 2 in F sharp major: Vagamente
Track length1:09
III. Prelude No. 3 in C major
Track length0:29
IV. Prelude No. 4 in A flat major: Ardito, bellicoso
Track length1:04
I. Prelude No. 1 in D flat major: Allegro
Track length0:59
II. Prelude No. 2 in B flat major: Elevato
Track length3:00
III. Prelude No. 3 in C major: Scherzoso
Track length1:21
I. Prelude No. 1 in B flat minor: Mesto
Track length2:18
II. Prelude No. 2 in F sharp major: Maestoso, fiero
Track length1:18
III. Prelude No. 3 in B major: Andante
Track length2:04
IV. Prelude No. 4 in G minor: Irato impetuoso
Track length1:05
I. Prelude No. 1 in F sharp major: Allegro
Track length0:59
II. Prelude No. 2 in D major: Elevato
Track length1:33
III. Prelude No. 3 in G major: Languido
Track length1:39
IV. Prelude No. 4 in F minor
Track length1:04
Prelude in E flat major, Op. 45: III. Andante
Track length1:29
I. Prelude No. 1 in F sharp major: Impetuoso fiero
Track length0:39
II. Prelude No. 2 in C major: Poetico con delizio
Track length1:33
III. Prelude No. 3 in D flat major: Capricciosamente affannato
Track length1:11
IV. Prelude No. 4 in C major: Festivamente
Track length1:05
Prelude in F major, Op. 49: II. Bruscamente irato
Track length0:53
Prelude in A minor, Op. 51: II. Lugubre
Track length1:53
Prelude in E flat minor, Op. 56: I. Violent, tres accentue
Track length1:39
Prelude Op. 59, No. 2: Sauvage, belliqueux
Track length2:01
I. Prelude No. 1: Andante
Track length2:09
II. Prelude No. 2: Presto
Track length0:55
I. Prelude No. 1: Douloureux, dechirant
Track length1:20
II. Prelude No. 2: Tres lent, contemplatif
Track length1:17
III. Prelude No. 3: Allegro drammatico
Track length1:01
IV. Prelude No. 4: Lent, vague, indecis
Track length1:25
V. Prelude No. 5: Fier, belliqueux
Track length1:24
I. Prelude in C major, Op. 2: Lento - Presto
Track length3:04
II. Prelude in B major, Op. 3, No. 1
Track length1:15
III. Prelude Op. 3, No. 2
Track length0:43
IV. Prelude in D flat major
Track length2:30

Awards and reviews

Naxos has turned up trumps with the little-known Russian Evgeny Zarafiants. Rhythmically subtle (and continually supple), tonally expansive and dramatically wide-ranging, he plays this music with great conviction, and a technique which copes conformably with all challenges. Even in the most tempestuous and tortuous passages, his tone is never strident, and his harmonic colouring could profitably be emulated by many pianists of ten times his renown. This release can be highly recommended, not least for the excellent recorded sound.

2010

With this second volume Evgeny Zarafiants completes his superb survey of Scriabin's 86 Preludes, adding four Preludes by Julian Scriabin, the composer's precociously gifted son, as encores. Listening to music of such morbid and refined intricacy played with the finest musical poise and commitment returns us to Stravinsky's bemused question, 'Scriabin, where does he come from, and who are his followers?' Is the angst and angry convolution of, say, Op 27 No 1 a slavonic memory of Brahms's Op 118 No 1? Does the explosive whimsy of Op 35 No 3 take its cue from the Scherzo of Beethoven's Op 26 Sonata? The hair-raising presto of Op 67 No 2 recalls the menace and enigma of the finale from Chopin's Op 35 Sonata, while the terse and belligerant Op 33 No 3 looks ahead to Stravinsky's sharpest modernist utterances. Yet if there are countless examples of reflection and prophecy, there are still more of the most startling originality.
Scriabin is always Scriabin, and as he journeys from Op 22 to Op 74 into the darkest reaches of the imagination you're reminded that this is hardly music for the faint-hearted.
Once again, Zarafiants is equal to each and every vivid occasion. Whether in the fragrant grazioso of Op 22 No 2, where the line twists and turns like so much honeysuckle, in the toppling argument of Op 31 No 3, or in the sauvage belliqueux of Op 59 No 2, he's richly responsive, his playing alive with a rare pianistic skill and imaginative brio. The Brandon Hill recordings are resonant and full-blooded.
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