Early Music - up to 35% off selected titles
Until 5th June 2024, we're offering up to 60% off nearly 6,000 early music discs.
Early Music - up to 35% off selected titles, Coro (label)
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With St Paul's Deptford standing in for Westminster Abbey the acoustic is ideally focused - no 'billow' blurring the edges of a wonderfully buoyant 'The King Shall Rejoice' (its ensuing 'Exceeding... — More…
Awards:
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Gramophone Magazine, April 2009, Disc of the Month
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Gramophone Awards, 2009, Winner - Baroque Vocal
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The Deer’s Cry: The Sixteen sing Pärt, Byrd & Tallis RecommendedThe Sixteen, Harry Christophers
[The Deer's Cry] is a deceptively easy-looking piece on the page, but keeping its halting, minimalist ground-rhythm pulsing meaningfully, and building the slow-burn crescendo over several minutes... — More…
Awards:
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Presto Recordings of the Year, Finalist 2016
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Quinney embraces the transparency of Bach's trios with an ear for their variety, sparkle and cogency. The Frobenius organ at Queen's College, Oxford, provides him with an enticing palette of... — More…
Awards:
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Gramophone Magazine, January 2012, Editor's Choice
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Several of Bach's greatest hits for the organ are heard here on an ideal instrument (Trinity College, Cambridge) in sober performances from Robert Quinney. — More…
Awards:
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Gramophone Magazine, Awards Issue 2013, Editor's Choice
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If you think of lute songs as secular repertory, think again...Elin Manahan Thomas and lutenist David Miller illuminate this music's subtleties, infusing their reading with warmth and intimacy...this... — More…
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Quinney nails BWV 548’s spaciousness and architectural inventiveness, but sometimes favours a certain didacticism over emotional intensity…Best of all though is an imaginatively registered,... — More…
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Elizabeth Dobbin's expressive soprano gives almost continual pleasure… — More…
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Christophers is in his element here, and though his string ensemble is half the size of Purcell’s Twenty-Four Violins, he coaxes a robust, full-bodied sound from his players. The detailed recording... — More…
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Durante: Requiem Alexandra Kidgell (soprano), Katy Hill (soprano), William Purefoy (countertenor), Mark Dobell (tenor), Ben Davies (bass), Clive Driskill-Smith (organ)
Oxford Baroque, Christ Church Cathedral Choir, Oxford, Stephen Darlington
Durante’s 1746 post-Baroque Requiem is no great masterpiece, but it does have moments of elegance and charm which are beautifully rendered. The likeable Organ Concerto benefits from sparkling... — More…
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