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Baritenor
Michael Spyres (baritenor), Orchestre Philharmonique de Strasbourg, Marko Letonja
Awards:
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Presto Recording of the Week, 24th September 2021
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BBC Music Magazine, November 2021, Opera Choice
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Gramophone Magazine, Awards Issue 2021, Recording of the Month
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Diapason d’Or, October 2021, Nouveauté
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Opera, December 2021, Disc of the Month
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Presto Recordings of the Year, Winner 2021
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International Classical Music Awards, 2022, Nominated - Vocal
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Sunday Times, 10 Best Classical Albums of 2021
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BBC Music Magazine Awards, 2022, Shortlisted - Vocal
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Gramophone Awards, 2022, Winner - Voice & Ensemble
Spyres has a remarkable range and is a consummate vocal chameleon too...in a truly remarkable finale to his ‘Largo al factotum’, Rossini’s Figaro is indeed all things to all men vocally. What...
Baritenor
Michael Spyres (baritenor), Orchestre Philharmonique de Strasbourg, Marko Letonja
Purchase product
Awards:
-
Presto Recording of the Week, 24th September 2021
-
BBC Music Magazine, November 2021, Opera Choice
-
Gramophone Magazine, Awards Issue 2021, Recording of the Month
-
Diapason d’Or, October 2021, Nouveauté
-
Opera, December 2021, Disc of the Month
-
Presto Recordings of the Year, Winner 2021
-
International Classical Music Awards, 2022, Nominated - Vocal
-
Sunday Times, 10 Best Classical Albums of 2021
-
BBC Music Magazine Awards, 2022, Shortlisted - Vocal
-
Gramophone Awards, 2022, Winner - Voice & Ensemble
Spyres has a remarkable range and is a consummate vocal chameleon too...in a truly remarkable finale to his ‘Largo al factotum’, Rossini’s Figaro is indeed all things to all men vocally. What...
About
An album with a mission to defy classification, BariTenor is a tour de force for Michael Spyres. It ranges wide, encompassing repertoire normally assigned to both tenors and baritones. Programming 18 arias by 15 composers, it covers three centuries of opera in Italian, French and German, setting mainstream works beside relative rarities, and rediscovering Étienne Méhul’s Ariodant, first heard in 1799. Michael Spyres has achieved renown as a multi-faceted tenor, but ‘baritenor’ is the term he uses to describe his voice, which balances brilliant high notes with a robust lower register. “Having started off as a baritone, I spent 10 years turning myself into a tenor. Voices like mine have existed as long as opera has existed, and the entire programme of this album is linked by the baritenor technique. I am making an honest attempt to explore the baritenor as a forgotten vocal phenomenon ... For me, this album is more than a dream come true.” Joining Spyres are the Orchestre Philharmonique de Strasbourg under its Chief Conductor Marko Letonja, and the male singers of the chorus of the Opéra du Rhin.
Contents and tracklist
- Michael Spyres (tenor), Sangbae Choï (tenor)
- Choeur de l'Opéra national du Rhin, Strasbourg Philharmonic Orchestra
- Marko Letonja
- Michael Spyres (tenor)
- Choeur de l'Opéra national du Rhin, Strasbourg Philharmonic Orchestra
- Marko Letonja
- Michael Spyres (tenor)
- Choeur de l'Opéra national du Rhin, Strasbourg Philharmonic Orchestra
- Marko Letonja
- Michael Spyres (tenor), Fabien Gaschy (baritone), Nicolas Kuhn (tenor)
- Choeur de l'Opéra national du Rhin, Strasbourg Philharmonic Orchestra
- Marko Letonja
- Michael Spyres (tenor), Mario Montalbano (tenor)
- Choeur de l'Opéra national du Rhin, Strasbourg Philharmonic Orchestra
- Marko Letonja
- sung in French as 'Aux bords lointains'
- Michael Spyres (tenor)
- Strasbourg Philharmonic Orchestra
- Marko Letonja
Spotlight on this release
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Awards and reviews
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Presto Recording of the Week24th September 2021
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BBC Music MagazineNovember 2021Opera Choice
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Gramophone MagazineAwards Issue 2021Recording of the Month
-
Diapason d’OrOctober 2021Nouveauté
-
OperaDecember 2021Disc of the Month
-
Presto Recordings of the YearWinner 2021
-
International Classical Music Awards2022Nominated - Vocal
-
Sunday Times10 Best Classical Albums of 2021
November 2021
Spyres has a remarkable range and is a consummate vocal chameleon too...in a truly remarkable finale to his ‘Largo al factotum’, Rossini’s Figaro is indeed all things to all men vocally. What Spyres brings to each role here is a pitch-perfect sense of character as he teaches a familiar lesson, that the voice is always in service of the role – however you choose to categorise it.
March/April 2022
One can take nothing away from Spyres’s variety of tone, and he’s a quick-change artist moving easily from pathos to comedy, from heroics to seductiveness. Nor can one find weak spots in his technique, which possesses the full arsenal of runs, trills, and high notes.This album is a tour de force that few singers on the present scene could hope to rival.
November 2021
The range of roles is astonishing, but then so are these performances...Spyres really is a tenor – and a baritone, it seems – who has the operatic world at his feet.
December 2021
A revelation in equal part of artistic identity and artistic ideals, in the way very few such recordings turn out to disclose…Even more than the pleasure one derives from seeing (as it were) this gallery of characters all personified by the same performer, there’s immense reward to be gained from the splendidly accomplished way in which that performer has brought off such a challenge.
24th September 2021
Spyres’s programme is no gimmick or grab-bag of show-stoppers, but a carefully-plotted journey through the evolution of the male zwischenfach voice…And there’s never so much as a hint that he’s pushing his instrument beyond its comfort-zone for the sake of novelty: instead, we’re left with the impression of a singer exploring everything his remarkable voice has to offer.
17th October 2021
Most of these 85 minutes of music are staggeringly good. Spyres is unique in my experience; a tenor with a baritone extension...I know baritones with less “ping” in their timbres. He also has huge fun with Figaro’s funny voices...Astounding.
29th September 2021
Spyres never barks, and chases after everything with enthusiasm, firmly supported by the conductor Marko Letonja and the Strasbourg Philharmonic Orchestra.