Beethoven: Fidelio
Tom Krause (Don Fernando), Theo Adam (Pizarro), James King (Florestan), Eva Marton (Leonore), Aage Haugland (Rocco), Lilian Watson (Marzelline), Thomas Moser (Jaquino), Horst Hiestermann (Erster Gefangener) & Kurt Rydl (Zweiter Gefangener)
Wiener Philharmoniker, Lorin Maazel
The musical performance is – of course – strictly organised, well played and unfailingly together on a nuts and bolts level…[James King] is a dependably moving Florestan, more nobly broken than...
Beethoven: Fidelio
Tom Krause (Don Fernando), Theo Adam (Pizarro), James King (Florestan), Eva Marton (Leonore), Aage Haugland (Rocco), Lilian Watson (Marzelline), Thomas Moser (Jaquino), Horst Hiestermann (Erster Gefangener) & Kurt Rydl (Zweiter Gefangener)
Wiener Philharmoniker, Lorin Maazel
Purchase product
The musical performance is – of course – strictly organised, well played and unfailingly together on a nuts and bolts level…[James King] is a dependably moving Florestan, more nobly broken than...
About
In this 1983 performance, Maazel conducts Beethoven’s liberation opera full of energy and precision, partnered by a highly dramatic Leonore, a Florestan in heroic voice and the Vienna Philharmonic in brilliant form.
Contents and tracklist
- Lilian Watson (soprano), Thomas Moser (tenor), Aage Haugland (bass), Éva Marton (soprano), Theo Adam (bass)
- Wiener Philharmoniker, Wiener Staatsoper
- Lorin Maazel
- Recorded: 5 August 1983
- Recording Venue: Live recoridng, Großes Festspielhaus, Salzburg, Austria
- James King (tenor)
- Recorded: 5 August 1983
- Recording Venue: Live recoridng, Großes Festspielhaus, Salzburg, Austria
- Tom Krause (bass-baritone)
- Recorded: 5 August 1983
- Recording Venue: Live recoridng, Großes Festspielhaus, Salzburg, Austria
Awards and reviews
April 2016
The musical performance is – of course – strictly organised, well played and unfailingly together on a nuts and bolts level…[James King] is a dependably moving Florestan, more nobly broken than defiant, still able to effect the role’s tricky turns. Eva Marton can be a thrilling Leonore when she opens up…Theo Adam delivers a thoroughly professional ‘bad guy’ Pizarro [and] Watson a superb, tinglingly fresh Marzelline
6th March 2017
A fascinating release if not one that will dislodge those treasured studio recordings.