Vogt has an attractive if slender voice, and for him to sing on this album called Heroes seems a bit odd, since he is more suited to tender regrets than to thrilling outbursts of tone. He shows a Lieder singer's sensitivity to words, and is almost ideally suited to Lohengrin's narration, perhaps the high-point of his recital.

[Vogt] offers the gentlest presentation of [Siegmund's] music that I've heard, and notably touching it is. He impresses even more with Lohengrin's narrative, where stage experience pays dividends...Vogt phrases exquisitely, and though the gentleness of sound is again evident, the strength of the character's convictions throughout is clear.

Despite the title, Vogt sounds nothing like a typical Heldentenor... His sound is far slimmer, lighter and brighter than one usually hears in heroic repertoire, but has a real metallic core and a thrilling ‘blade’ in the upper register... There’s no bellowing or bluster...his plangent, youthful timbre make him an exceptionally vulnerable Siegmund, a shy but quietly-confident Walther and one of the most truly ethereal Lohengrins you’re likely to hear.

his Siegmund, naive and ecstatic rather than virile and forceful, is striking. Vogt's vocal ease and cleanness of line is appealing in Weber and Wagner, and he proves an accomplished, elegant Mozartian.